One of the more profound touchstones of my pop-cultural development was Square Pegs, a short-lived sit-com from 1982 that starred, among others, the people that would be better known as Captain Kirk’s bastard son (so pretty, so tragic) and Carrie Bradshaw (so tiny, so odd-looking).
The show was my first exposure to a number of things that inspired my devotion for years to come, particularly Devo and The Waitresses. Certain phrases from the show still pepper my conversation to this day. Not bad for a show that was only on for half a season twenty-five years ago. What amazes me is that I’ve retained all this stuff about the show, but I couldn’t have actually watched more than an episode or two. But I listened to them all.
In 1982, my family didn’t actually own a TV. The last one had finally broken down altogether, and it was a while before my parents felt the need (or had the wherewithal, perhaps, or some combination of the two) to get another. My sister Ellen, however, had a portable TV/radio that could tune into the audio signal of broadcast TV stations. It was kind of a pain, but better than nothing. (And I’m sure she appreciated being able to keep up with General Hospital as much as I appreciated keeping up with Square Pegs.) Honestly, I can’t even remember what clever bit of marketing inspired me to listen in to a show I couldn’t actually see, but I was hooked pretty instantly.
It’s been odd having such vivid memories of sounds and dialogue without accompanying footage. I know I saw a couple of episodes — probably when spending the night at my friend Eddie’s house — but for the most part my visual memories of the show are more delicate than the rest. Thanks to the magic of YouTube, though, that’s starting to change. Last night I stumbled across the episode I most wished I had seen when it was first on: the one where Devo (Johnny Slash’s 9th favorite band) played at Muffy Tepperman’s New Wave bat mitvah. Bliss!
The scripted jokes and the accompanying laugh track are painful, of course, but there are all kinds of charming little details in there that I still love. I hindsight, I love the quirky, watered-down version of 80s culture that was sanitized for TV, but still hints at interesting things must have inspired it. I love the throwaway gags, like how John Densmore from the Doors is the drummer for Johnny Slash’s band, and how LaDonna, the cool black chick, can identify gefilte fish that came out of a jar. And even now, Devo still seems beautifully eccentric.
And here’s a bonus for you: the ass-kicking theme for the show by The Waitresses: Square Pegs (buy more)
Since I never actually saw the Square Pegs pilot (just listened to it), I never saw the Waitresses perform, and for years I mixed them up with the equally sassy Josie Cotton, who performed in another other pinnacle of watered-down 80s New Wave teen comedy, Valley Girl. (My obsession for that movie and its soundtrack is a story for another day, perhaps.) But they’re like totally different. Totally!
Extra bonus: the first song performed by Johnny Slash’s band, Open 24 Hours:
