My career seems to be at the point where I rarely need to tailor or tinker with my CV (or résumé in the American parlance), but I need to rewrite short bios over and over again. that’s a good sign, right?
It basically means I don’t have to look for work all that much, since it tends to find me through more casual channels like momentum, word-of-mouth, networking, yadda yadda. (It’s the actual money that’s hard to pin down, tragically. The work keeps piling up.) The trick is that now I only get a couple of sentences to sum up everything as well as highlight the relevant details for the task at hand, rather than letting a amore complete picture come together from the full details.
For instance, here’s one for my current job:
Daniel Rhatigan, a 2006 recipient of a Monotype Imaging Ltd. scholarship, is working at Monotype Imaging Ltd. as part of the UK’s Knowledge Transfer Partnership. KTP is a country-wide program that allows graduate students to partner with industries to help improve business productivity and competitiveness. Rhatigan is working at Monotype Imaging’s Salford’s design office under the direction of senior designer, Robin Nicholas. Rhatigan is chartered with applying his academic experience to a commercial project, while Monotype Imaging intends to benefit through Rhatigan’s development of intellectual property.
But here’s my bio for the teaching gig in the Netherlands I’ve had for the last couple of years:
Dan Rhatigan is a graphic designer from New York City, now living and working in London. He has worked as a designer and consultant for arts organizations for over 15 years, and has taught and lectured at the City College of New York, Central St Martins, and the University of Reading.
Dan Rhatigan, grafisch ontwerper uit New York City en woont en werkt op dit moment in Londen. Meer dan 15 jaar werkt hij als grafisch ontwerper en adviseur voor organisaties in de kunst- en grafische branche. Verder heeft hij les en lezingen gegeven aan het City College in New York, Central St. Martins en geeft nu regelmatig les aan de Universiteit van Reading in England.
But I do freelance work, too, now and then!:
Daniel Rhatigan worked as a designer and typographer in Boston and New York for 15 years before coming to study typeface design at the University of Reading. He also lectures on typography and branding in the Netherlands and here in the UK. You can look at some of his previous design work at ultrasparky.org.
And then there’s the occasional bit of writing:
Dan Rhatigan is a typeface designer, graphic designer, teacher, and long-time blogger at ultrasparky.org. He received an MA with distinction in Typeface Design from the University of Reading in 2007, and he’s now working with the Typography Department to research and design non-Latin typefaces for Monotype Imaging.
Once in a while, too, the emphasis shifts to my little side project:
Daniel Rhatigan is a typographer and typeface designer, originally from New York City but now based in London. When not teaching or working on a vast family of Indic typefaces, he publishes a zine called Pink Mince — “for the confirmed bachelor of exceptional taste”.
5 thoughts on “The many faces of Sparky”
What happens when all of these Dans get together in the same room?
It’s gets pretty damn geeky
I miss The Colour Grey in this sum up 🙂
Did you fail to notice where the links go?
Okay, you win.
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