No Holiday Spirit

I’m such a Halloween slacker. Just about every year, I fold under the pressure to think of something fun to do and fun to wear, and usually wind up just dicking around, all bored. Last year was a notable exception (well, my use of my authentic cop uniform was a little half-assed as a costume, but I went to a great party in the ‘Burg, where everyone inside and out was in costume), but I usually feel this inordinate pressure to be creative and whip together some clever, high-concept outfit and my energy and organizational skills are never up to the task. I’m thinking this year I’ll head over to the Lure for their Halloween ball, where I won’t need a costume per se, but I’ll still get a chance to dress up and watch the freak flag fly high if all goes well.

The big thing to avoid at Halloween, as far as I’m concerned, is the freakin’ Parade. It’s great in concept, but few things are more horrifying than trying to wade through thousands of people swarming the narrow streets of the West Village, all drunk and stooopid and carrying on because they’re in from Queens or the Jersey suburbs and they’re all hyper because they’re in the Village(!) and they can go totally crazy, and you can tell because they’ve got on crazy hats! It’s worse than Gay Pride, I swear.

Pleasures of the Big Screen

Damn, I just noticed how badly I’ve been neglecting this. Oh well, shit happens. Not that my media-/pop-culture consumption has trailed off at all. If anything, a brief burst of solvency found me treating myself to the occasional CD binge and an extra movie night or two.

I love going to the movies, I really do. As much as I hate when guys in personal ads say lame, boring, unoriginal things about what they like to do for fun, I have to admit that my first suggestion for a relaxing social activity with a pal is always to go to the movies. I love the immersive experience. And now that stadium seating is becoming de rigeur, I don’t even have to wince in anticipation of the physical discomfort — even for a li’l peanut like me — of sitting in one of those awful old seats.

Aside from the way heavy-duty sound and a large screen (and don’t give me any of that wussy crap about sitting too far to the front — you’re never too far up front until the the perspective becomes too weird to compensate for, in the first couple rows or so) completely envelop you and bombard you with the sensory input from the flick/movie/film (what I consider to be the three levels of cinematic quality), the most wonderful part about going to the movies is the social aspect. For better or worse, and it usually helps, you feed off the energy of the rest of the crowd when you go see a movie in a theater. It’s a vital part of the experience, and makes up for the added impediments to putting your feet up on the seat in front of you. I can’t tell you how many summer blockbusters have been salvaged for me by going to see them in a crowded theater on a Friday night (in Times Square, if possible, where the audiences are always the rowdiest) where the crowd shouts along with or at the movie, in a giant orgy of audience participation. I still remember when I realized that Godzilla 2000 was gonna be a hoot the moment that we heard a crash of glass in the back of the theater and the smell of malt liquor filled the air. Even if it’s as simple as the audience rooting for a real clunker like the sheep they are, the energy helps make the most of what might otherwise be a bad situation.

When I found out that The Nightmare Before Christmas was being re-released for Halloween this year, you know I was all for it. As much as I already loved the film, the added effect of enjoying it with all the trimmings of the movie-theater and audience experience just made it that much sweeter. I also started playing around with the interesting effects I get with my digital camera in low-light situations: