Teeny Houses

The Wee House

Even though I know I’m a bit nomadic, from time to time I still entertain the fantasy of owning a home of my own someday. Of course, my vision of owning a home is a fusion of various thoughts I have about mobility, thriftiness, craftsmanship, ecological worries, and an aversion to suburbia. Pretty much, that leaves me salivating over fantasies of tiny, prefab, loft-like houses that can be dropped in unusual places. This page of teeny houses, for instance, makes me tremble with delight.

I consistently forget to jot down these various house kits that catch my fancy, so I finally went on a hunt this evening to find links to various projects that have caught my eye over the years. (Most of what I found came from Treehugger and Max at lotsofco.org.) My favorites:

  • The Wee House is definitely a favorite — teeny, sleek, and flexible

  • The miniHome is not just sexy, but it also seems to consider the cost and land-use issues for a li’l prefab house, as this Treehugger post notes

  • The various schemes from BlueSky Mod are also magically delicious, but sadly they don’t show as much of them on the web site as I would like

  • These groovy Floating Homes from Germany

    rock me

  • The Micro Compact Home is lovely and tiny, especially in this idea for a tree village made of of the little cubes attached to vertical supports

  • The Zenkaya would be delightful for a little warm-weather getaway somewhere

  • I love the Boase concept from Studio Force4, which I first read about in Metropolis a while back — a cluster of sort-of-treehouses built into groves that actually decontaminate polluted soil

  • The Flatpak House is a great idea for beautiful little modular houses, but the website is a bit of a flash-intensive horror

  • The Loftcube is sexy and futuristic, but a bit too posh all in all

  • A few different models from the Tumbleweed Tiny House Company, especially the XT house, seem really darling

BlueSky Mod

Let It All Hang Out

Where does the time go? Another one of those anxious e-mails from Mom reminded me that my posting has slacked off once again, and the question of whether or not I’m still alive has once more come up. Yes, I live. Life is a seemingly endless cycle of work, dentist appointments, and errands, but I live nevertheless.

As much as I adore Teen Dentist and hate the idea that I’ll be passed onto another DDS-in-training when he graduates in a couple of weeks, I am sick to fucking death of going to the dentist once or twice a week after work. The clinic at NYU only doles out appointments in two-hour blocks, so something complicated like root canal can’t be done in one marathon sitting. That means that not only do I get drilled and filled over and over again, but then I also lose a couple of days afterward feeling crummy from all the lingering discomfort. Zero fun. (Plus, I’m pretty sure I won’t be passed on to the other super-cute dental student so I won’t even have that small bright spot to cheer me up.)

Work is work, of course. Work is also any and all of my assorted part-time jobs and freelance obligations, so I lose giant chunks of time just hauling ass from one end of the city to another when I’d rather sit in one place and concentrate for an effective amount of time on each of my projects.

Not everything sucks, though. Special Agent Josh continues to keep me from descending into full-on workaholic hermit mode, and that’s good for both my overall morale and the relative cleanliness of my apartment, which would surely become a full-on pit of filth if I didn’t have someone over to keep me company and shame me into tidying up once or twice a week. (He doesn’t nag, I just can’t bear the thought of having him see how truly sloppy I can be when no one is around.)

The last couple of weekends I’ve also had the pleasure of spending time with my old pal Dave and his girlfriend, who have recently returned from an ill-conceived year in L.A. that made them realize how much they love living in Boston after all. I was able to offer them last-minute accomodations one week, and then they were able to repay the favor this past weekend, which means that I got to see more of Dave in the last two weeks than I have in about the last five or six years. Seeing as he’s my bestest pal, that’s a really good thing.

I wish I could say the rest of my far-flung social network was in such good shape. It used to be a mild technique for avoiding stress and finding time to work, but my tendency to fall out of touch with people I care about has blossomed into a full-on shame spiral that I can’t quite fix, and that makes me feel shittier and shittier all the time. A mild aversion to spending time on the phone has become an almost pathological avoidance of telecommunication. I stopped socializing much as a concession to the Rooster’s aversion to crowds and bars, but it eventually became my own bad habit of never getting out that much and then never wanting to talk about how unhappy I was becoming. My irregular, hectic work schedule has sucked up most of my time, leaving me clinging to the restful solitude of the occasional hours I get to myself, and pretty much totally unable to make plans for any actual leisure time.

As a result of all this (and varying amounts of guilt, embarrassmant, exhaustion, self-consciousness, etc.), I am surrounded by the rotting corpses of many a dear friendship. People I love and long to see assume I hate them and have stopped keeping after me. My neglect has become so shameful that I can’t really blame them, and I don’t know how to repair all the damage without a whiney fistful of excuses and explanations that sound lame even to me. Feeling lonely has become a bit of a guil-inducing crutch. It’s a sucky feeling to carry around, but at least it’s safe, familiar territory by now. After all, why should anyone bother when I’m such a wet noodle so much of the time? The truth is, though, I’m better company when I hate myself less, and I hate myself less when I have good company. I just wish I’d done a better job of remembering that during the last few years.

Bleah. Sorry for all the crabbiness, but it’s the mood of the day.

Dental Detective

I’ve only been able to glean a few details about the private life of Teen Dentist, who’s seen more of me lately than almost anyone else, but they all fascinate me:

  • He likes Led Zeppelin more than he likes contemporary music. “They have some really great songs that most people don’t know about.”
  • He graduates this May, but is going to do a residency at a hospital for a while because stuff like that helps younger guys get into orthodontics programs more easily.
  • So all signs point to an aspiration to have a cushy orthodontics practice back on Long Island some day.
  • His father is a dentist, but he doesn’t seem really excited about going into practice as the “and Son”. When asked what his father is like, he kinda frowns and says, “like most fathers, I guess.”
  • Is Dad Dentist an orthodontist, or is Teen Dentist hoping to strike out on his own?
  • Teen Dentist has a bit of an awkward way about him. (Adorable.) He knows he ought to crack more jokes, for instance, but he can’t seem to think of them quickly enough to use them when you give him an opening. He knows it’s a good idea to use your name when talking to you, but he kinda forgets until it’s a little too late, so there’s usually an odd pause before he inserts your name into a phrase.
  • He seems to be a little intimidated by more gregarious people, like the frat-boy assistant he had that one time, or by the sassy lady professor that worked with him last night. Everyone seems to love him, but it’s like he gets social performance anxiety.
  • He’s cute and very well-groomed, but hasn’t quite figured out a personal style that works. One day his hair was gelled into a fauxhawk, but that didn’t last. He tends to wear sweatsocks and brown dress shoes with his scrubs.

I swear, you just want to give him a makeover and a hug and send him off on his drillin’, fillin’ way. He makes me feel very paternal, even though I’ve only got ten or twelve years on him.

Flash! Bang!

Apparently yesterday’s snowstorm was accompanied by lightning, which sounds like a pretty incredible sight that I seem to have missed altogether. It could have been cool enough to make me forget my ovarall aversion to snowy weather. I was holed-up in the Cracker Factory, staying true to my vow to remain locked indoors for at least 36 hours while the worst of the snowfall went about its business.

I did seem some amazing lightshows, though. The Long Island Railroad tracks emerge from their underground tunnel right acrosss from me, and the ice and snow did a phenomenal job of reflecting the sparks that the train cars make on the tracks. All night long I would see the brilliant flashes of blue coming up from street level, lighting up the dreary sky with some much-needed zing.

Life Support Systems at CriticalI wish those flashes could be harnessed as a source of heat, though, seeing as how my heater stopped turning itself on yesterday at about 2 in the afternoon. Lcukily there was enough ambient heat seeping in from elsewhere inthe building, but things still felt pretty frosty, especially by this morning. It’s really one of my all-time biggest beefs about this particular piece of equipment: it generally works just fine until things get really cold, and then it seems to suffer from performance anxiety and it stops altogether until the pressure’s off. It makes for a very Bohemian vibe, I assure you.

WSE3

WSE3_promo.jpg
Wow, before I even had a chance to do my own plug for the show, WYSIWYG’s big, 2nd-anniversary, 3rd-annual, shit-hot extravaganza — Worst. Sex. Ever. III: When Bad Sex Happens to Good People — has almost completely sold out. And we’re in the big theater this time, even! Fear not, though: even if you’re not one of the 125 people that got an online ticket already, some additional seats will be available the night of the show. First come, first serve!

P.S.: That’s not my butt. But it’s a butt I’m fond of.

Bleary-Eyed

It’s my last night here in the UK, and I am definitely not going out in style. I spent the day checking out the type-design gang in Reading today, sitting in on some seminars which nearly fried my fragile brain with information overload. Completely awesome information overload, mind you, but an overload all the same. Cat-related complications have been making it pretty hard to sleep, so it was a bit of a challenge to sit still and absorb too much new information at one time. My original plan was to hang out in London one last night with my old pal Tim, but he had to cancel, so I’m biding my time in Reading, sitting around glassy-eyed and tired until it’s a reasonable hour for me to go to sleep once and for all. I’m booked into a drab little guest room on campus for the evening, but at least it’s cat-free so I’ll be able to pass out more efficiently than the last few nights.

I’m a little sad to be leaving, a little disappointed that I didn’t have time to do much or see enough people while I was here, a little intimidated to think about taking out some huge-ass loans, a lot excited about living here for a while, and — in case it wasn’t obvious enough — entirely too delirious with fatigue to make much of a coherent point about anything at the moment.

Typovillains

Brace yourselves, gang, I’m about to geek out way beyond any geekery you’ve seen here yet. Today I’m going to meld together comic geekery and typographic geekery, and it’s not going to be pretty.

I’ve been meaning to rant for a while now about the general crappiness of the electronic lettering used in comics nowadays, which not only sucks all the charm out of traditional hand-lettering, but also leaves the lettering prey to all the mistakes of novice desktop publishers. This started when I kept noticing a simple typesetting error showing up over and over again in dialogue balloons: the use of a double hyphen instead of a proper em dash (– instead of —), a typewriter convention that spills over into amateurish handling of type. In digging up old samples to prove my point, however, I discovered that this was going on way before electronic lettering. Here’s a panel from 1966’s Fantastic Four #47:

Fantastic Four #47

OK, so I guess this particular flub has been going on for a while, probably because traditional letterers were of a similar ilk as their modern peers: neither editors nor real typesetters, either of whom ought to notice things like that. Fine, I’ll let that slide. In the meantime, though, take a gander at the warmth and charm of that lettering. You know why it looks like handwriting? Because each instance of each letter is unique. Simple hand-lettering was cheaper and easier than typesetting, so it made sense, and the crudeness was an appropriate visual match to the artwork and the shortcomings of the reproduction. A perfect unity of tone.

So let’s look at today’s electronic lettering, which is trying to copy the effect of old comics but getting it all wrong. I’ll let this month’s Ultimate Fantastic Four #26 be my scapegoat:

Ultimate Fantastic Four #26

Yeah, that em dash thing. But I said I’d let that slide. Notice how every repeated letter is exactly the same? That, my friends, is why shitty handwriting fonts do not look like handwriting. They look like novelty typefaces. No variation, no warmth, no charm. It’s especially bad form when you get double letters or stacked letters. (Look at “do” and “double” up there.) It’s an affectation, but only taken halfway. Now, I’m not saying modern comics with their detailed art and magnificent reproduction quality should switch to real typefaces. If that happened legions of fanboys, myself included, would probably have massive aneurisms all at once. But since they’re not paying someone to do all that lettering by hand, couldn’t they invest in some better fonts? Some fonts that do a better job of faking the craftsmanship they’re trying to ape? That stuff doesn’t even come with decent letterspacing built in, never mind alternate characters. Gentlemen, we have the technology!

OK, but that’s not even what hurts the worst. Let’s turn our attention back to FF #47, paying a visit to the letter column this time:

Fantastic Four #47

Now, that’s not the best typesetting in the world, but it’s good for what it needs to do. A nice, wide serif typeface that can handle the cruddy printing, and some attention to details like indents, justification, and even ligatures. (Look at the “ffi” in the word “official” — that’s what real typefaces do when they’re used properly, kids.) Since they’re using real type, they’re using good type. Hallelujah!

Ultimate Fantastic Four, however — like most of its contemporaries — makes the Baby Jesus cry:

UFF #26

How to make my eyes bleed, step 1: pick a goofy, “techy” novelty font that ought to be used — and sparingly, one would hope — for titles only, and set paragraphs of text with it. Step 2: set it in white on a black background with no extra letterspacing. Step 3: make sure the line length is super-long and the line spacing is super-tight, so that it’s even harder to read easily. Step 4: center those lines, just to put the rotten cherry on top of the whole thing. Also, those horrible little em dashes that almost look like hyphens, and with no extra room around them! That is not what I want to decipher at the end of a long day.

Now, the thing that pushed me over the edge and made me finally rant like this was actually this image of the Daily Bugle taken from this month’s Daredevil #80 (which otherwise has artwork that’s totally white-hot):

Daredevil #80

Goddamn, could that look any less like the page of a newspaper? And they pull this crap all the time in Daredevil. (I’m afraid to even look at The Pulse, which probably does a little bit in every issue.) Let me enumerate the sins. Problem 1: there are at least 5 different typefaces in use, and none of them would be really good for newspaper. And they shouldn’t ever get used at the same time (Helvetica and Verdana, I’m looking at you!) Even if they were, there would be 2, maybe 3, altogether. Tops. Problem 2: either the Bugle is a letter-sized pamphlet, or that’s the large-print edition. Three columns, with about 35 characters to a line? I call bullshit. Problem 3: Sometimes the paragraphs are flush left, sometimes they’re justified. Sometimes only half the paragraph is flush left but the rest is justified. (That means that someone used a hard return to make a line break mid-paragraph, which is just bad form.) Problem 4: those paragraph indents are word spaces, not proper em spaces or decent-sized tab stops. that’s why it’s kinda hard to see where each paragraph starts. I spend obscene amounts of money each month for this?

Dear Marvel, please give me a dream job as a typography director so I can make you look better and make the world a more better place. And don’t get cocky, DC: you’re next in my sights.

Kicking Off the New Year

Happy New Year! Or at least it goddamn better be. Since the thumpa thumpa coming through my apartment walls has resumed and I can no longer nap in peace, I thought it might be a good time to reflect on the year that’s past and consider the year ahead. See, that way it shows that I’m deep and thoughtful and sensitive, right? (Perhaps I’m just wallowing in sulkiness, though.)

Major Events of 2005:

    • I touched a New Kid’s butt: Much less exciting or tawdry than it sounds, but it makes a good story.
    • My oldest friend almost won an Oscar: I can’t take personal credit, of course, but it was a very big deal and I was exploding with pride.
    • Acute appendicitis: As I often say, nothing is quite as slimming as organ removal. Also, it hurts like a bitch. For weeks. But I’ve got a cool scar. Apparently, I could have died if I hadn’t gotten to my doctor on time.
    • Typecon 2005: My favorite conference came to New York this year, and I loved it again. I count it as an event not just because it was awesome, but because it clarified some things for me and set me down a path that might lead to grad school once and for all.
    • Big, messy break-up: It really did, and continues to, hurt like hell to admit that it was a bad situation, and it was worse to do something about it. Life is a lot better in lots of ways, but I also can’t hide from the fact that I’m still reeling from the giant piles of pain caused by the whole situation.
    • I moved back to Brooklyn: It’s been really nice to have a home of my own again, especially one that actually feels like home. I can’t say exactly why Brooklyn has such a hold on me, but it does. People keep saying that my new place really suits me, which is something that I never heard in Astoria.

Major Accomplishments of 2005:

  • WYSIWYG: We’ve put on damn fine shows this year, and I’m very proud of all the design stuff I’ve done, my two performances this year, and the fact that Chris, Andy, and I have kept this awesome thing going for so long.
  • Design: Much to my surprise, this latest attempt at self-employment has gone pretty well. In fact, I’ve had more work than I can generally handle, which is certainly better than having less than I need. I’ve also managed to do a lot of great work, especially all the stuff for P.S. 122 this past Fall, when they gave me a pretty free hand to art-direct the hell out of all their marketing and promo stuff. It turns out I’m not that bad.
  • Photography: I started taking pictures more seriously this year, and using my own photography in a lot of my design work (and stuff). As a result, I got a bunch of good credits, and I may be branching off into a side business in photography, in case you need anything.
  • Teaching: It also turned out that I’m a pretty good teacher, too, which is great since I’ve wanted to get back to that. I started teaching design and type classes at City College last year, but it became obvious during the last couple of semesters that the students are eager to take my classes, and the administration thinks I’m doing a good job. And, most importantly to me, my students have all been doing good work, and I’ve been able to see really incredible improvement in the ones I’ve had in more than once class, in ways that seem to tie in directly to the things I taught them.
  • The break-up: It was really hard to finally admit how unhappy I was in that situation. It was bad judgement for me to avoid that reality for so long, but ultimately good to deal with it once and for all.

Major Failures of 2005:

  • The break-up: There’s no way for that stuff to go well, especially when you have to choose your own well-being over someone else’s. I failed to make that situation work, and then I failed to convince him to stay my friend.
  • Social life: In fact, I failed to convince just about anyone to stay my friend this year, as near as I can tell. I spent so much time paralyzed by depression, unwilling to admit I was unhappy, and buried in work or lethargy that I pretty much lost touch with most people I know. I feel shitty enough about that, but even shittier about not knowing how to repair the rifts. It’s a big conundrum that being around people I love always makes me feel better overall, but it’s the first thing I stop doing when I feel overwhelmed.
  • Running my own business: Would someone please, please, please be my business manager and accountant? I’m a total idiot when it comes to managing myself. I can do good work, but I overextend myself, underpay myself, drop deadlines, and generally go mental trying to organize it all.
  • Hair: I never got a haircut I really liked when I had a full head of hair, and I can no longer hide the fact that it’s swiftly disappearing. Shaving it off seems to be as much of a cuteness disaster as working with what’s left.

Now here’s the rough part. What am I likely to change in the year ahead? Resolutions are all fine and good, but I think they’re like birthday wishes — better left as secrets until they happen. So what do I think the year will bring me?

Goals for 2006:

  • Grad school: I’m crossing every finger and every toe that it will work out, because I think I’ve found the right place to be, a program where I can go type-crazy without all the other stuff I’d have to deal with in other design programs. I’m off to Reading, England, in a couple of weeks to check it out. If they like me, I like them, and Sallie Mae has some money for me, I’m hoping to be an expat student living abroad before the year is out.
  • Health: As long as I can avoid any other emergency surgeries, I look forward to another year of robust well-being. Hell, now that my bike isn’t hidden in a basement anymore, I may find myself a becoming little trim in addition to the skinny thing I’ve managed to rediscover already.
  • Travel: So far I know I’ll be in England in January and Boston in August. I’d like to spread my wings a little farther than that if I can.
  • Friends: If you’ll all bear with me and kick me in the ass from time to time if there’s too much radio silence, I would really like to reconstruct the tattered remains of my circle of friends. It wasn’t you, it was me, and I’m a lot better with you than without you.

[Editor’s note: I realize this whole entry has been long and badly written. I wince when I look at all those repetitive conjunctions and clauses. Fuck it, though, I’m tired and need another nap.]