Up, Up, and Away

Superman, v1.0It’s a tricky thing, this whole appreciation of superheroes and comic books and such. Part of what seems so nerdy and embarrassing about it is how often people — even others who love the capes and the four-color reality — seem to get it wrong, how often they fail to grasp that we each love different things about the genre. No, not just this particular fictional genre — the whole idea of superheroes and comics.

I can’t blame people for not getting it, because a love of comics is just so personal. They’ve been part of our culture for so long now, pushed and pulled and reinvented in so many ways that they can be something different to everyone. Every fan of comics loves them for a personal reason, and is convinced that a naysayer just has to read the right comic that will resonate and change his attitude forever. But not even all lovers of comics appreciate them the same way. Venture if you dare into any discussion forum about comics and you’ll see what I mean. Some folks love the escapism, some folks love the intersection with or reflection of reality. Some folks are obsessed with details and continuity, and some with the core of any legend. Different strokes, y’ know?

And it’s hard to begrudge anyone who doesn’t get into comics, because even though he — or shockingly enough, she — might just need to read the right one, the fact is that there’s so much crap out there it’s easy to say they’re not worth any attention. And when the world of comics strays into other media — novels, TV shows, movies — the magic and myth usually just fall apart.

Usually, I say. Michael Chabon’s The Amazing Adventures of Kavalier & Clay is one of the most breathtaking looks at superheroes and comics I’ve ever read. It takes the whole world of comics and wraps up the mythology and the excitement and the context in a delicious little package. When I read it, I was stunned that he cut through all the bullshit and the cliches and the cultural baggage around superheroics and put his finger on the wonder of it all, and the way drams of men and women in tights can speak to kids and adults alike. Sometimes in different ways, sometimes in the same ways.

There’s a certain sense of wonderment and wish-fulfilment at the heart of my love of superheroes. It has endured, even as my world has expanded to other passions as I’ve grown up, and even as my taste in comics has slowly spread out to non-superhero comics. Again, Chabon shows that he gets it at the most basic level in Secret Skin, a lyrical, insightful essay for the New Yorker about the whole problem of men in tights. He gets down to the core of it all, the basic idea and how it defies practical reality because it’s not about reality. It’s about something other than reality, and perhaps closer to it than anything else:

We say “secret identity,” and adopt a series of cloaking strategies to preserve it, but what we are actually trying to conceal is a narrative: not who we are but the story of how we got that way — and, by implication, of all that we lacked, and all that we were not, before the spider bit us. Yet our costume conceals nothing, reveals everything: it is our secret skin, exposed and exposing us for all the world to see. Superheroism is a kind of transvestism; our superdrag serves at once to obscure the exterior self that no longer defines us while betraying, with half-unconscious panache, the truth of the story we carry in our hearts, the story of our transformation, of our story’s recommencement, of our rebirth into the world of adventure, of story itself.

Oh, hell yes.

Into the Woods

My desktop

In general, I’m partial to wood. I prefer real wood for floors and furniture, and I’m particularly fond of slightly weathered old wood that looks like it’s lived a little. That being said, I have a real thing for totally fake wood-grain patterns — not fake woods or veneers — but stuff that is so fake it’s kitschy. Hey, I never said I was high-brow.

Much to my delight (and further proving my theory that there’s a blogger out there to cover any special interest one could imagine), I just stumbled across It’s (K)not Wood, a blog devoted to all kinds of fake wood things. It’s startlingly comprehensive!

I don’t go for all the stuff that’s made of other things but molded to look like branches and twigs and such, but I’m giddy to find so many faux bois (as they say) delights, such as this way-fun furniture I’ve been coveting for a while now.

Golden Lights

I adore the Midas Project, a not-quite-graffiti project in Barcelona where mundane objects around town are spray-painted gold. It looks amazing! It reminds me of Commutable, a great project from 1996 where the decrepit steps on the Manhattan side of the pre-renovation Williamsburg Bridge were covered in gold leaf. It looked strange and lovely, and was also a good visual cue to slow down on your bike before you went shooting over the end of your bike path to your doom.

(Thanks, FormFiftyFive!)

Eustace Tilley Subway

When I was glancing through all the submissions for the New Yorker‘s Eustace Tilley contest, I somehow neglected to realize that one of my favorite submissions — a brilliant riff on the classic Vignelli map of the NYC subway system — was done by one Alberto Forero, a fellow Regis alum (and fellow ephemera fanatic) who took over my old post as the school newspaper’s graphics editor back in the day. I also love that the print article about the contest winners shows Alberto’s illustration along with my other two favorites.

I never knew him that well, but like many of the remarkable, talented, trail-blazing guys I know from my Regis years, Alberto is — at the very least — a triple threat: he’s a designer, illustrator, and musician. Go check him out, and maybe send some work his way.

(Speaking of the school newspaper, someday I need to write about how it was working on the school newspaper that turned me from a compulsive doodler into a future typographer, due in large part to my fascination with using a VariTyper machine to set headlines using all the cool Avant Garde alternate glyphs.)

Roar!

Just got back from a late showing of Cloverfield, which was lots of smash-em-up fun, if perhaps a little vivid for anyone who’s actually experienced a New York crisis or two. It’ll be interesting to see what tonight’s Sustiva dreams bring on.

Reading’s Glorious Past

Random pop-culture trivia about Reading that I learned today (with audio references):

  • Mod band Secret Affair played their first show at the University here in February 1979, opening for The Jam. (I would have loved to see either band.) Ten years later, I had a crush on a cute boy who introduced me to the first single, Time for Action

  • In 1981, The Human League‘s producer made them come to Genetic Sound in Reading to get away from the “unhealthy atmosphere” of the studio in Sheffield where they usually worked alongside their former band members who left to form Heaven 17. They recorded The Sound of the Crowd here.

The Matter of Anti-Matter

Oh, and in my free time time this year I designed a book, too. It’s also my first design project to get its own MySpace page, since it’s about indy music stuff and the music folks apparently use the MySpace once in a while. It’s by my good friend Norm, and you should buy it.

Anti-Matter

Seriously, though, it’s a fantastic read, especially if you have any interest at all in hardcore and post-punk bands of the ’90s. (If you do, you probably know who Norm is anyway.) Anti-Matter was a zine he published that featured these amazing, insightful, totally natural interviews with a bunch of great bands. Norm had (well, still has) an amazing ability to get past the party line and get people to really talk to him, and that honesty is what makes these collected interviews so engaging, even if — like me — you might only be familiar with a few of the bigger names included.

And the photography! I haven’t seen the book in print yet, but if they reproduced the photos well then this is even more of a must-have for anyone into that era’s scene. Seriously, just buy it.

Ride in the Sky

Village Underground

A couple of months ago I spotted those awesome rooftop tube trains and figured there had to be a story behind them. Sure enough, there is. An organization called Village Underground snapped up some old tube cars and installed them on top of an old Victorian warehouse for conversion into “affordable workspace for creatives”. (I put that in quotes not just because it’s a quote, but thinking about the cost of space in London and what happened to all that affordable space for creative types in Williamsburg over the years I’m forced to wonder how affordable that really is, or will be.) Naturally, I desperately want office space in an old tube car.

Christmas Stories

Now that my Christmas-killing cold has settled down into a manageable case of congestion, I’m lucid enough to string a few sentences together without needing a nap to recover.

I was waiting for a touch of cold to hit me. I’d gotten through two changes of season without one, so I was convinced I was in for a whopper. Apparently the climate here suits me. Either that or my seasonal colds really have been psychosomatic all along, and there was no need for one since I’ve been supremely happy ever since I got to the UK.

Captain JackI celebrated the end of term with a brief weekend visit to Bristol to see the good Drs. Paul and Tony, who whisked me off for an afternoon tour of Cardiff to take advantage of the inexplicable burst of sunny weather I’d brought with me. Since I had never seen any episodes of the new Doctor Who series (and I only ever saw a few minutes of the older shows, usually while I waited for Blake’s 7 to be broadcast late at night on public television) or its spin-off, Torchwood, I couldn’t fully appreciate the thrill of being in locations featured prominently on screen, but I at least did my nerdly duty and took pictures:

Torchwood Tower

The gents kindly indoctrinated me into the ways of the Doctor, Captain Jack, and their cronies later that night, so now I have a new avenue for exploring my not-so-inner geek. It figures the Doctor Who franchise would finally grab me once they figured out that cute leading men might be a good idea. If only I had a television.

The end of the term didn’t actually mean the end of work, so it was back for a few more days of productivity after my trip. Hilariously, it seems we’re supposed to have a direction for our typeface designs “locked down” by the time the next term starts in January, and I know I’m not the only one in the group who stills feels a total lack of confidence about being that far along. I guess I’ll have to think about that, too, in between bursts of work on the huge essay I have due the week after classes resume. (Bear in mind, though, that I am totally digging all this type geekery in which I have become so immersed.)

The flatmates and I threw a lovely shindig so we could celebrate the season with our classmates before everyone scattered for Christmas. (I can safely say “Christmas” because we were all raised with that flavor of midwinter gift-giving holiday.) That party set in motion a lovely string of coincidences that led to me hanging out in London a few nights later with some Brazilian and some Belgian pals at a phenomenal Brand New Heavies reunion show.

The Brand New Heavies

I have been waiting for over a decade for a chance to see these folks play, and I was relieved that this wasn’t just some half-assed walk through their back catalogue. They were on fucking fire as they funked their way through old singles, gems off their new album, and even an amazing cover of Seven Nation Army. I have never seen a band coax so many white people into dancing so much. When I went back to crash at my friend Tim’s place afterward, he chided me for never mentioning my love of the Heavies when I visited him back in their heyday, because at the time he probably could have arranged for me to meet their drummer via a mutual friend. Sigh.

I was hoping for some quiet down-time in London for the next couple of days, but I wound up walking for hours and hours again, getting to know a bit more of the city. I finally have the bearings to get from certain key locations to others without a map, or without worrying about following a particular route. I also developed magnificent, firm legs and slightly sore arches from all this exploring. The robust condition of my legs was offset by the achey back I developed from sleeping on Tim’s teeny couch for three nights in a row, but in a city that’s even more expensive than New York I was happy to have any lodgings I could afford.

I finally dipped my toe into London’s gay nightlife, as well, tagging along with my pal Jonathan, who can’t go ten feet without running into someone he knows. We spent most of the evening at a pub called the King’s Arms where I felt really young and slim, but yet still invisible since neither of those things count for much in a roomful of bears. Since I don’t really like drinking, smoking, bears, or crowded rooms it was kind of a long night, despite some very enjoyable company. By the time I left I could feel my cold coming on, so the die was cast for Christmas to cast its usual cloud over my spirits.

After a long, long morning of last-minute errands in London and lots of public transportation filled with lots of holiday travelers, I wanted to crawl under a rock with a bottle of cough syrup and a pillow. I was pretty miserable by the time I got back to Reading, so I was double-extra-happy to discover a long-awaited package from Dave that was filled with three months of comic books. Plus the Super Pets!:

Streaky and Krypto

Streaky is the only cat I can love. I mean that.

Leave it to my bestest pal to find a way to provide me with exactly what I needed exactly when I needed it most. He’s spooky like that. As I was passing out from exhaustion and illness, at least I knew I would have Krypto and Yorick to keep me company if and when I woke up.

If It’s Kiki It Must Be Christmas

Miss Kiki DuRain

Now that I’ve been lucky enough to catch Kiki & Herb, it finally feels like Christmas. It was a fantastic show, naturally, but it was interesting to see how the crowd reacted to it. In some ways, it felt like the run they had in the West Village a few years, where a lot of the crowd didn’t quite understand what they were getting themselves into. Like then, there were people in the audience this past Friday that seemed to think this would be just another campy drag show for the gays. As I’ve said many times, calling Kiki and Herb a drag act misses the point entirely: they are a dark, cathartic emotional roller-coaster ride. I’m not sure exactly when the first people walked out of the show on Friday night, but it may have been during the big cancer medley (but definitely before the eco-disaster/suicide medley). Obviously, the theater’s favorite aging, monstrous, heartbreaking showgirl is still doing something right if she’s making people that uncomfortable.

Much to my delight, London felt like a small town this weekend, in a way that New York often did at the times I loved it the most. At Friday night’s show and then walking around on Saturday, I saw a bunch of familiar faces (and considering why they looked familiar, it just goes to show that I look for portraits instead of cock shots on the internet) here and there in the crowds. I saw Herb/Kenny Mellman himself strolling at one point, although I didn’t get a chance to compliment him on the previous night’s success. At the Design Museum on Sunday I ran into my pal Dan from Germany, who I’d also seen earlier int he week when he was in Reading to check out the MATD program for next year. As I learn my way around town, it’s very comforting to feel myself becoming a thread in its fabric a bit.

Justin Bond in Shortbus

I also finally got to see Shortbus, and was again surprised to see people walk out in the middle. So are people in London just more squeamish than in New York, or are they just less likely to read about what they’re about to see? Seriously. This is supposed to be a challenging movie, but I guess some folks were just there for the sex but not the emotional one-two punch.

Shortbus was fantastic, and reminded me an awful lot of the small-town vibe I often felt in New York, not in the least because it was littered with people I’d met, performers I’d seen, and streets I’d walked along over the years. It was a fantasy version of the Bohemian life in New York, granted, but still one I’d tasted from time to time over the years. The last few years in New York were often frustrating because so much more of my energy had to go toward surviving in New York rather than living in it, so it made me a little sad think about how much community and fun had come to feel like a fantasy for me there, instead of the reality it had once been. But there I was, sitting with old friends in a new place, working on another stage of my eclectic, adventurous life once again. So who knows?