As Featured in the New York Times

Photo by Rebecca Cooney for New York TodayGo and see what the Rumpus Room actually looks like in this article, which containa lots of cool pics of the pad, as well as the most unflattering picture of me ever seen by human eyes. It’s a very complimentery article, but I winced a little while reading it to see how even the simplest remarks can be misinterpreted by someone who doesn’t already know you, and who has to summarize you. Am I a vicitim of media manipultion? Or just a Virgo control freak who likes things just so?

The article is a bit weird: It’s loaded with little embellishments and things that miss the point, but I can see how someone who didn’t know me well could come to those conclusions. For instance, I don’t actively collect action figures, but I never throw anything away so I’ve found myself owning a bunch after years of getting a kick out of them. (By the way, I only have a couple dozen, not a couple hundred.) And I’m not all that zealous about home improvement, either. I painted my bathroom after two years of procrastinating about the day-long project. It also makes me seem really, really gay, but I guess I am. Whatever. It’s a nice, flattering article, even though it features a disturbingly unflattering picture of me in the photo slideshow.

You can see what a museum of various, uncurated pop junk the Rumpus Room really is. There aren’t any carefully cultivated collections of anything, but there are lots and lots of cool things lying around. If nothing else, a close look at the photos reveals just how many treasures there are to be found in thrift stores and sidewalk junk piles. After all, I don’t own a stick of new furniture, only thrift scores and trash relics abandoned by assorted friends and strangers. Behold the scavenger!

This Story Is About Musicals

I was expecting to hate it, or at least think it was a pretty but unsatisfying bauble like Romeo + Juliet, but I totally loved Moulin Rouge. It was definitely the visual delight I expected, even turning out to be more lush and grandiose than I would have guessed. The typography and graphic design alone was enough to make my head spin. I thought I would pass out during the ending credits, they were done so beautifully. (I’m a type geek. sue me.)

Overall, the movie does a tricky maneuver for which I may be the target audience. It starts off as a zingy, MTV-ish pastiche of movie-musical clichés, recklessly making fun of them with a dash of affection and a lot of flash to impress modern audiences, but it switches along the way into a totally earnest musical that uses the film medium to say a few things about the nature of the theatre. It masquerades as a parody of hokey love stories, but actually tells one with a certain amount of depth. (It helps an awful lot that the two leads are good enough actors and capable enough singers to pull it off.) I had the distinct impression that to really get into the movie, you have to love musicals and appreciate the artifice of the whole genre, but still be jaded and media-savvy enough to know how goofy they are. Bingo! Nice to meet ya, I’m Sparky.

Ok, the good stuff:

  1. The music kicks major ass. It’s funny, mixing in snippets from all over, forcing you to play name that tune throughout the movie. It’s also takes goofy sentiment and makes it terribly poingnant, which is a nice touch. The pastiche is pretty clever, that way. If you’re just po-mo pop music fan, you’ll get a kick out of the camp arrangments of pop and rock classics, but if you can handle musical theater you’ll be amazed at how well the pop songs used work when they’re handled just right.

    Ewan Mcgregor, who jumps back to the top of my fantasy boyfriend list, is actually a great singer, even if he’s a bit of a belter. His gimmick in the movie of suddenly bursting (and I mean bursting) into song whenever he gets tongue-tied is funny, but again it totally makes sense as an element of a musical, whether you see it as parody or homage.

  2. Catherine Martin‘s costume and production design. Please god, throw a few awards this woman’s way. Totally lush.

  3. Balcony with sacre CoeurCGI Paris. Goofy, yes, but a pretty way of making a 3-D version of a painted backdrop that would have made MGM proud. Also, I it made me all sentimentalto see Montmarte showed like that, since I stayed right at the foot of the hill, down the block from the real Moulin Rouge (a horribly tacky tourist trap), when I was in Paris last February. Also, cheers to the Man in the Moon who lurked in the background now and then.

  4. Retro fin-de-siecle typography. Totally gorge. I can’t stress this enough. Maybe this has to do with my recent obsession with collecting wood type, but the design really made my mouth water.

  5. Knowing when enough is enough and too much isn’t enough. This is, trust me, a campy, campy movie, even if it’s being so with a coy, smart, post-modern wink. It lays on the cinematic drag really heavy, but then moves off into something a little more sincere, more restrained just when your head is about ready to explode. And just when the sincere melodrama is getting a bit too heavy, in comes some other slapstick or kooky musical number. Pacing, baby, pacing.

And the requisite irritating stuff.

  1. John Leguizamo could not possibly have been more annoying. Unlike the rest of the cast, he never becomes anything more than a cartoon. Bleah.

  2. MTV-damaged approach to editing. sometimes those quick cuts are punchy and exciting, usually they keep you from being able to actually soak in what’s good in a scene. With stuff that pretty to see, you want a chance to enjoy it. sometimes with the music, too, the tendency to throw different stuff in, fast and furiously, makes you want to slow things the hell down. (I dunno, maybe I’m just getting old.)

OK, enough raving for raving for now. The real test will be if I like it this much after a second viewing.

Does this remind you of Leyendecker or singer sargent?

When It Rains It Pours

I finally told my depression to go fuck itself and went back out into the world this weekend, and what did I find? New friends, friendly old flings, ex-quasi-boyfriends, former Regians turned fellow Brooklyn homos, new pals with blogs, sexy ex-junkies, cheerleaders, punk rock fags, a former classmate who’s become a popular drag king, flirtations and brief kisses, flirtations that went nowhere, lots of coffee, bad ideas that are even worse in practice, frigid strolls, and the news that one of my closest friends has cancer, and another is probably going to die from the cancer she’s been battling.

No wonder I feel so overwhelmed when late-winter gloom and the mean reds set in, robbing me of all the energy I need to deal with everyday life.

Bon Jour!

Notes from France:

  • French keyboards are absolutely maddening. This is my excuse for any subsequent typos.
  • When I first got here, I had to wander through a planeload of French Marines also arriving at the airport. Deeeeeeeeee-licious. What may be delicious is the food, but I’m not sure because I’ve been having terrible indigestion, making it hard for me to eat.
  • I am able to read more French than I thought, but I am able to speak much less. This language barrier is especially frustrating when handsome Frenchmen are whispering dirty propositions in your ear, but you are unable to decipher them. Luckily, not all forms or social interaction require much talking.
  • This is a very, very cruisy city. Like, out of control. It’s also kinda dirty and graffitti-covered, which is a very welcome surprise. I like seeing signs of life like that.
  • As much as I am used to turning corners and seeing surprises in New York City, it’s a very different thing when I turn corners here and see glorious architecture that I’ve studied for years. Even the regular buildings here have beautiful, enviable massing and proportions.
  • Versailles is a beautiful obscenity, but it totally lacks passion. It certainly doesn’t lack lavish splendor, though. I would have revolted because of it, too. And I’m a wuss.
  • My hotel is a block away from a gaudy neon stretch of strip clubs, peepshow theaters, and faux-scandalous cabarets like the Moulin Rouge. The most glamorous whores I have ever seen wander the side streets and the taxi-dancer bars: They are plump, saggy, made up like paintings, and dressed in cheap cocktail dresses and fur coats. I completely love them. Very Toulouse-Lautrec, even in this day and age.

Fancy Restaurants and Dank Basements

I also meant to mention a few things spotted during the trip to San Francisco that were actually about New York.

First, I was thumbing through the in-flight rag on the American plane, and came across a gushing profile of Williamsburg, of all places. It’s not bad enough that Bedford Ave. is already clogged with hipsters, or that The Real World may be coming here next year, but now hordes of tourists are being encouraged to cross the river and go slumming. Mark my words, it won’t be long before they open a Marriott there. Sheesh! I’m glad I live off in the boonies, where it’s still more ghetto.

Second, I was looking at this beautiful coffee-table book about the photography of James Bidgood, and I was startled to learn that Bidgood met Bobby Kendall, and quite a few of his other models, at a place called Club 82. Apparently, this was quite the swinging joint in its day, with cabaret shows and go-go boys and all manner of decadence. I even discovered that Blondie played there back in the early ’80s. As fellow connoisseurs of contemporary homo East Village sleaze know, this place is still kicking and is still good for a thrill or two, but it’s a far cry now from its more flamboyant past. I love discovering ghosts like this in places that I know around the city. Reading books like Low Life (by fellow Regis alum Luc sante) and Gay New York clued me in to all sorts of colorful tidbits about parts of the city that have fascinating, racy histories that would really put the wind up your skirts.

Gay-Hating Kooks

Are there any gay-hating kooks out there who read this site? Are any of you also pedophiles? If so, please, let me know so I can respond. My mother is very concerned that my visibility on the web may be making me a target. This wave of paranoia was prompted by an e-mail she received from my uncle, who found this site while searching for his last name and was very alarmed that there are pictures of my nieces and nephews to be found here. (Witness, if you will, the speed with which any presence of children on a site with gay content becomes associated with the threat of pedophilia.) Apparently, by acknowledging that I have a family who I love and choosing to share some of my expereriences with them with my small cadre of readers, any display of the children will send the many pedophiles who frequent my site into a stalking frenzy. And apparently when pedophiles are prowling the internet for children to abuse, their searches will bring them right here, from which they will be able to play detective and track down my nieces and nephews, despite the complete lack of information about them besides who their parents might be. Parents, I should mention, who have been pleased to see family pictures presented on the web in a loving context. Their parents also, presumably, are doing a damn good job of monitoring their children’s online activites, which are where the real risks would arise.

I have no sympathy or patience for anyone who would cause any harm to a child, particularly a child who I know and love. There are reasons I don’t include addresses for e-mail address for my nieces and nephews, or any other child who makes an appearance here. I think it’s a hysterical, knee-jerk reaction to assume that an image of a child immediately puts that child at risk. Where can the line be drawn? Should children be shrouded in public like Muslim women? Should they be banned from appearing in magazines, television, movies, sports? When does fear and concern require withdrawal from society?

On a final note, I’m pleased to say that after five years or so of publishing on the web, I have never been a focus for the attention of gay-hating kooks. I suppose there’s plenty of better fodder for their narrow agenda. I have, however, grown as a writer and a person and made countless wonderful friends. I have encouraged a few people to accept themselves and come out to their own family and friends, with great results. I have inspired a few people to indulge their own creative instincts. I’ve gotten an unflattering e-mail or two, but usually because someone disagreed with my opinion or didn’t get a joke. I haven’t seen any risks online that don’t exist for any person who engages in real-world society, but I have seen advantages that I would not have experienced otherwise.

A Little Plug

Eagle-eyed New Yorkers will be able to spot a picture of me on page 52 of the current issue of Time Out New York (the 1/25-2/1 issue, with the ski bunny on the cover). Nothing very glam, just an unflattering shot of me addressing the rapt crowd at the last group meeting of the Brooklyn LiveWork Coalition. It’s a great article, actually, with a broad discussion of the issues at stake with this whole crackdown on loft living here in Crooklyn.

It’s been something of a revelation for me to get so involved with this whole thing. I’ve been spending about 20 hours week (you know, during all that spare time when I’m not scoping or working full-time) donating time to the Coalition, and I even seem to have become part of the leadership. It’s a shock to me because this issue has so easily tapped into some real passions of mine, passions I never really know about. I always saw myself as very apolitical, never getting myself into much of a twist about anything. This time around I haven’t felt any doubt or any apathy. Unlike times when I was faced with gay rights issues or presidential elections or whatnot, I really feel charged about the way my neighbors and I are caught in the middle of this time of adaptation in New York. As the city government reacts to the way life in the city has adapted on its own, I’ve realized that I am actually part of a community here in a way I haven’t experienced before. I started out just making sure I wouldn’t get booted to the street, but as I’ve gotten to know my neighbors and other painters, sculptors, musicians, designers, photographers, entrepreneurs and such I’ve realized that I really give a shit about making sure that we all have a way to continue living in a way that lets us unite our work lives with our domestic lives, uniting what might otherwise be disparate parts of ourselves. Not to mention it would be damn hard to pay for both homes and studios where we could really work.

It’s a delicate balance the Coalition is after. We actually enjoy the mixed character of our neighborhoods, and we want to be able to continue working where we live. As much as we want to bring improvements to these neighborhoods, we don’t actually want to see them overdevelop in ways that make it impossible for us to stay, the way things have gone overboard in Soho and Tribeca. Even though North Williamsburg has exploded in recent years, it’s still a long way off from that kind of exclusivity. I think that’s one way that living in Brooklyn may always make things a little easier for us: No matter how much things transform over here, New York’s geography will still concentrate the money and the attention in Manhattan.

We’ll see, I suppose. In the meantime, I have some more meetings to prepare for…

East Side Ecstasy

If you watch any documentary before you die, you really ought to watch East Side Story, an incredible look at communist musicals in East Germany and the soviet Union. Man, it’ll get your heart pumping to watch those men sing about the glories of their tractors, or watch textile-mill ballet sequence. Of course, now that I think about it, you also should make sure that before you die you see such other incredible documentaries as Grey Gardens, Crumb, and Trekkies. Any of those will be a great reminder that reality can be so much more fascinating than fiction.

On a totally different pop-culture note, I’ve found myself talking with lots of guys recently about how they also always thought that Aquaman was totally hot. So it’s not just me. It’s almost weird how often this has been happening, like some great pent-up surge of homosexual zeitgeist blowing a gasket. A friend spontaneously got me a totally hot Aquaman poster by Alex Ross for my birthday. Another announced he’s planning on fulfilling a lifelong dream and getting an Aquaman tattoo. Various other guys, when I’ve started to mention who the hottest superfriend was, beat me to the punch by screaming out, “Aquaman!” This has been even more startling than the realization a few years back that the homos all seemed to have a thing for Boba Fett.

Star-Fucking

so I said to Madonna...It’s not everyday that you find yourself sitting around with a group of friends gabbing when you come in on a conversation midstream to hear a woman you know say, “So I said to Madonna, ‘You gotta get out!’” True story. Apparently Madonna had sublet a room in Mimi’s apartment back in the early days when they were both struggling dancers, and Madonna had this thing for wandering around the place naked after she showered. Mimi asked her to knock it off while her mother, who was freaked enough about her daughter living on the mean streets of New York, was in town. Well, Madonna still let it hang loose — hairy pits and all — so Mimi decided to give her the old heave-ho (so to speak).

Kiki & HerbIt was a moment of jaded, insane name-dropping that could have come directly from Kiki & Herb, whose brilliant, terrifying, hilarious new Christmas show we had just seen at the Fez. I always enjoy bringing people to see Kiki & Herb for the first time, and I hope that you, friend, are also someday able to experience the jaw-dropping display of blasphemy, psychosis, and musical acuity that makes them so special. Read the clips on the website to get a better idea of what their act is like, but suffice to say I think you’d be hard-pressed to find another cabaret/drag act that mixes Radiohead, Sarah Vaughn, Britney Spears, Belle & Sebastian, Christmas Classics, Kate Bush, and Styx into one show. This time around, they even did a song that Stephen Merritt wrote just for them (so Kiki claims — you can never know for sure). Oh, such treats!

Halloweentown

I may be a Halloween slacker, but apparently my unconscious manipulation of the cosmic luck plane appears to be doing better than the rest of me. Namely, the movies which arrived in my mailbox in the last few days, after lingering on my NetFlix waiting list for months were Gothic, Edward Scissorhands, and Sleepy Hollow. Spoooooky, right? Right?

By the way, Gothic sucked. I wish I could have seen it during high school and college like all the other black-wearing kids. I might have enjoyed it more if I could still be impressed by that level of pretense. It’s nowhere near as much fun as Ken Russell’s much campier Lair of the White Worm.