Marcus Leatherdale shares never-before-seen portraits of Robert Mapplethorpe

[Repposted from an old ID article from 28 March, 2017]

As he debuts photographs of the provocative artist made during a late night in 1979, Leatherdale shares his memories of Mapplethorpe and downtown New York.

In the late 1970s and early 1980s, many considered New York to be a city in decline (the Council for Public Safety produced a controversial pamphlet aimed at keeping tourists out of town entirely). Yet the era produced a generation of renegade New York artists. As hip-hop emerged in the Bronx, the burgeoning punk movement cross-pollinated with the avant-garde nightlife scene downtown. In this post-Stonewall, pre-AIDS period, members of NYC’s queer community were breaking new ground not simply in the art they made, but also with the lives they lived. The work and ideas produced in this era still profoundly shape New York today.

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Valenstein & Fatt

While I was in London recently, I helped my pals at Grey London with a film about why they’re taking on the names of their original founders, Valenstein & Fatt, to talk about diversity in the industry.

I was originally asked to talk about the typeface they chose to recapture the spirit of Grey, circa 1917, but as it turned out I was much more passionate about how hard it has always been for immigrants and other marginalized groups to assimilate into American culture, despite the myth of the Great American Melting Pot.

Valenstein & Fatt from Valenstein & Fatt on Vimeo.

(I begged them to re-kern that logotype, though.)

Update: A second video, with my take on Valenstein & Gray’s choice of Century Schoolbook for their re-imagined brand:

Valenstein & Fatt: The Logo from Valenstein & Fatt on Vimeo.

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