{"id":2793,"date":"2017-10-17T12:25:22","date_gmt":"2017-10-17T12:25:22","guid":{"rendered":"https:\/\/ultrasparky.org\/blog\/2017\/10\/17\/typographys_alp\/"},"modified":"2019-08-25T15:20:44","modified_gmt":"2019-08-25T19:20:44","slug":"typographys_alp","status":"publish","type":"post","link":"https:\/\/ultrasparky.org\/blog\/2017\/10\/17\/typographys_alp\/","title":{"rendered":"Typography&#8217;s Alphabet Man!"},"content":{"rendered":"<p><img decoding=\"async\" alt=\"dan-rhatigan.png\" src=\"https:\/\/ultrasparky.org\/blog\/img\/dan-rhatigan.png\" width=\"480\" \/><\/p>\n<p><strong>I&#8217;m giving a talk next week<\/strong> at the <a href=\"https:\/\/2017.revolveconference.com\">Revolve<\/a> conference in Charleston, SC, and they just published this <a href=\"https:\/\/2017.revolveconference.com\/features\/dan-rhatigan-typographys-alphabet-man\/\">fun profile piece<\/a> to promote it a bit:<\/p>\n<blockquote>\n<p><a href=\"https:\/\/2017.revolveconference.com\/speaker\/dan-rhatigan\/\">Dan Rhatigan<\/a> describes himself as a middle-aged nerd who <a href=\"https:\/\/www.instagram.com\/p\/BSL-MqGgwIx\/\" target=\"_blank\" rel=\"noopener noreferrer\"> really likes type<\/a>; so much so, that he&#8217;s used his arms as a canvas to showcase the more than <a href=\"https:\/\/ultrasparky.org\/the-alphabet-man.html\" target=\"_blank\" rel=\"noopener noreferrer\"> 30 letterforms<\/a> that mean something to him. \u00a0If you happen to see him wearing short sleeves, you&#8217;ll react in one of two ways. One, you&#8217;ll immediately try to figure out what message the letters and numbers convey, then become confused because there appears to be no rhyme or reason to the tattoos. On the other hand, if you&#8217;re into typography, you&#8217;ll immediately get it and want to start a conversation.<\/p>\n<p>Professionally, Dan brings to the table over 25 years of extensive <a href=\"https:\/\/ultrasparky.org\/work\/experience.html\" target=\"_blank\" rel=\"noopener noreferrer\"> experience<\/a> in various industries as a typesetter, graphic designer, and typeface designer. He has spent time <a href=\"https:\/\/ultrasparky.org\/work\/curation\/\" target=\"_blank\" rel=\"noopener noreferrer\"> curating exhibits<\/a>, <a href=\"http:\/\/lanyrd.com\/profile\/ultrasparky\/sessions\/\" target=\"_blank\" rel=\"noopener noreferrer\">speaking internationally<\/a>, and teaching graphic design, typography, typeface design, and branding at <a href=\"https:\/\/www.pratt.edu\/\" target=\"_blank\" rel=\"noopener noreferrer\"> Pratt Institute<\/a>, <a href=\"https:\/\/www.ccny.cuny.edu\/\" target=\"_blank\" rel=\"noopener noreferrer\">The City College of New York<\/a>, <a href=\"http:\/\/www.reading.ac.uk\/typography\/typ-homepage.aspx\" target=\"_blank\" rel=\"noopener noreferrer\">University of Reading<\/a>, and <a href=\"https:\/\/www.artez.nl\/en\/home\" target=\"_blank\" rel=\"noopener noreferrer\"> ArtEZ Institute of the Arts<\/a>. \u00a0He holds a BFA in graphic design from <a href=\"http:\/\/www.bu.edu\/\" target=\"_blank\" rel=\"noopener noreferrer\"> Boston University<\/a>, and an MA in typeface design from the <a href=\"http:\/\/www.reading.ac.uk\/\" target=\"_blank\" rel=\"noopener noreferrer\"> University of Reading<\/a> in the UK.<\/p>\n<p>While studying in the UK, Dan got involved in a joint project between <a href=\"http:\/\/www.monotype.com\/\" target=\"_blank\" rel=\"noopener noreferrer\"> Monotype<\/a> and the <a href=\"http:\/\/www.reading.ac.uk\/\" target=\"_blank\" rel=\"noopener noreferrer\"> University of Reading<\/a>, researching and designing non-Latin typefaces. This project facilitated his entrance to the type-design world on a full-time basis; and later Dan worked at Monotype as their Type Director, with responsibility for their New York and London offices. Today, Dan lives in New York where he works with<a href=\"https:\/\/blog.typekit.com\/\" target=\"_blank\" rel=\"noopener noreferrer\"> Adobe Typekit<\/a> as the Senior Manager of <a href=\"http:\/\/www.adobe.com\/products\/type.html\" target=\"_blank\" rel=\"noopener noreferrer\"> Adobe Type<\/a>, and serves on the board of the <a href=\"http:\/\/www.spd.org\/\" target=\"_blank\" rel=\"noopener noreferrer\"> Society of Publication Designers<\/a>, and is the Director-At-Large on the Board of Directors of <a href=\"https:\/\/www.tdc.org\/\" target=\"_blank\" rel=\"noopener noreferrer\"> The Type Directors Club<\/a>.<\/p>\n<p>As a child, Dan dreamed of drawing comic books, and kept busy drawing the covers with big splashy logos. In elementary school, <a href=\"https:\/\/2017.revolveconference.com\/speaker\/dan-rhatigan\/\">Dan<\/a> together with a friend drew comic books and sold them at their lemonade stand. \u00a0But, it was in his teen years while working with <a href=\"https:\/\/en.wikipedia.org\/wiki\/Letraset\" target=\"_blank\" rel=\"noopener noreferrer\">Letraset<\/a> and a headline-setting machine for his high school newspaper that Dan realized he could manipulate the personality of the story he was headlining by changing the style of letters. This was when he first grasped that he could have a profession in type.<\/p>\n<p>Dan began self-publishing <a href=\"http:\/\/pinkmince.com\/\" target=\"_blank\" rel=\"noopener noreferrer\"> Pink Mince<\/a> \u00a0(a queer British zine) in 2006. This began as a side project to help him acclimatize to living in England, and relieve day-to-day stress. \u00a0Although published sporadically, Dan is really proud of the zine&#8217;s thirteen issues; the <a href=\"http:\/\/pinkmince.com\/pink-mini\/\" target=\"_blank\" rel=\"noopener noreferrer\"> Minis<\/a> and the related <a href=\"http:\/\/pinkmince.tumblr.com\/\" target=\"_blank\" rel=\"noopener noreferrer\"> Tumblr moodboard<\/a>. Today, Pink Mince has become a labor of love, and a &#8216;catch all bucket&#8217; for the creative things Dan would like to do. \u00a0In fact, if money were no issue, he would parlay Pink Mince into a full magazine, because &#8216;it isn&#8217;t just a gay zine, it is a showcase for contemporary typeface design and vintage lettering that features pictures of dudes.&#8217;<\/p>\n<p>Dan is the youngest of six children born to an Irish Catholic family in Staten Island, New York. He admits to being bookish and introverted (read awkward and shy), which seems contradictory to the nickname he picked up in his youth &#8211; Sparky, that has become an extension of who he is &#8211; <a href=\"https:\/\/ultrasparky.org\/\" target=\"_blank\" rel=\"noopener noreferrer\">Ultrasparky<\/a>. When he&#8217;s not working or spending quality time with his partner, Dan enjoys hanging out with friends; indulges an <a href=\"https:\/\/www.instagram.com\/p\/BSclT2_ltbb\/?taken-by=ultrasparky\" target=\"_blank\" rel=\"noopener noreferrer\"> indiscriminate sweet tooth<\/a>; listens to an<a href=\"https:\/\/ultrasparky.org\/playlist.html\" target=\"_blank\" rel=\"noopener noreferrer\"> eclectic mix of music<\/a>, and is an accomplished <a href=\"https:\/\/www.instagram.com\/p\/BVhkLypFLyf\/?taken-by=ultrasparky\" target=\"_blank\" rel=\"noopener noreferrer\"> photographer<\/a>.<\/p>\n<p>In the final analysis, <a href=\"https:\/\/2017.revolveconference.com\/speaker\/dan-rhatigan\/\">Dan Rhatigan<\/a> has a healthy respect for the history of typography, is knowledgeable, articulate and displays immense <a href=\"https:\/\/vimeo.com\/108118543\" target=\"_blank\" rel=\"noopener noreferrer\">curiosity<\/a> in his craft. \u00a0Although he has <a href=\"https:\/\/ultrasparky.org\/work\/typefaces\/index.html\" target=\"_blank\" rel=\"noopener noreferrer\">collaborated<\/a> on, and has his name attached to various innovative font families, it remains his dream to conceive, nurture and present to the world a typeface family all his own. &#8230; Stay tuned!<\/p>\n<p style=\"text-align: right;\">By Claudia L. Phillips<\/p>\n<\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>I&#8217;m giving a talk next week at the Revolve conference in Charleston, SC, and they just published this fun profile piece to promote it a bit: Dan Rhatigan describes himself as a middle-aged nerd who really likes type; so much so, that he&#8217;s used his arms as a canvas to showcase the more than 30 &hellip; <a href=\"https:\/\/ultrasparky.org\/blog\/2017\/10\/17\/typographys_alp\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Typography&#8217;s Alphabet Man!&#8221;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12,4],"tags":[],"class_list":["post-2793","post","type-post","status-publish","format-standard","hentry","category-ultrapress","category-ultratypographic"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/ultrasparky.org\/blog\/wp-json\/wp\/v2\/posts\/2793","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ultrasparky.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ultrasparky.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ultrasparky.org\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/ultrasparky.org\/blog\/wp-json\/wp\/v2\/comments?post=2793"}],"version-history":[{"count":1,"href":"https:\/\/ultrasparky.org\/blog\/wp-json\/wp\/v2\/posts\/2793\/revisions"}],"predecessor-version":[{"id":36440,"href":"https:\/\/ultrasparky.org\/blog\/wp-json\/wp\/v2\/posts\/2793\/revisions\/36440"}],"wp:attachment":[{"href":"https:\/\/ultrasparky.org\/blog\/wp-json\/wp\/v2\/media?parent=2793"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ultrasparky.org\/blog\/wp-json\/wp\/v2\/categories?post=2793"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ultrasparky.org\/blog\/wp-json\/wp\/v2\/tags?post=2793"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}