{"id":1877,"date":"2010-04-20T13:45:44","date_gmt":"2010-04-20T13:45:44","guid":{"rendered":"https:\/\/ultrasparky.org\/blog\/2010\/04\/20\/the_land_of_oz\/"},"modified":"2024-11-28T01:53:28","modified_gmt":"2024-11-28T06:53:28","slug":"the_land_of_oz","status":"publish","type":"post","link":"https:\/\/ultrasparky.org\/blog\/2010\/04\/20\/the_land_of_oz\/","title":{"rendered":"The Land of Oz"},"content":{"rendered":"\n<p><strong>I\u2019ve been gathering and sorting images<\/strong> for a talk I\u2019m giving tomorrow at <a href=\"http:\/\/www.csm.arts.ac.uk\/\">Central St Martins<\/a> on type design, and how looking at \u201cbad\u201d typefaces and awkward signage and eccentric hand-lettering can teach a type designer a lot. The basic premise is that there are good lessons in there, as long as you can stop fussing about whether it\u2019s good and take the time to time to consider what works, despite other problems with taste or style or function.<\/p>\n\n\n\n<p>As I pull stuff together, I\u2019ve found myself teetering on the edge of just doing an entire piece about <a href=\"http:\/\/en.wikipedia.org\/wiki\/Cooper_Black\">Cooper Black<\/a> and Cooper Black Italic, a pair of my all-time favorite typefaces.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"960\" height=\"625\" src=\"https:\/\/ultrasparky.org\/blog\/wp-content\/uploads\/2010\/04\/ATF-Cooper-Black.jpg\" alt=\"\" class=\"wp-image-71628\" srcset=\"https:\/\/ultrasparky.org\/blog\/wp-content\/uploads\/2010\/04\/ATF-Cooper-Black.jpg 960w, https:\/\/ultrasparky.org\/blog\/wp-content\/uploads\/2010\/04\/ATF-Cooper-Black-300x195.jpg 300w, https:\/\/ultrasparky.org\/blog\/wp-content\/uploads\/2010\/04\/ATF-Cooper-Black-768x500.jpg 768w\" sizes=\"auto, (max-width: 709px) 85vw, (max-width: 909px) 67vw, (max-width: 1362px) 62vw, 840px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"960\" height=\"720\" src=\"https:\/\/ultrasparky.org\/blog\/wp-content\/uploads\/2010\/04\/Layton-Cooper-Black.jpg\" alt=\"\" class=\"wp-image-71629\" srcset=\"https:\/\/ultrasparky.org\/blog\/wp-content\/uploads\/2010\/04\/Layton-Cooper-Black.jpg 960w, https:\/\/ultrasparky.org\/blog\/wp-content\/uploads\/2010\/04\/Layton-Cooper-Black-300x225.jpg 300w, https:\/\/ultrasparky.org\/blog\/wp-content\/uploads\/2010\/04\/Layton-Cooper-Black-768x576.jpg 768w\" sizes=\"auto, (max-width: 709px) 85vw, (max-width: 909px) 67vw, (max-width: 1362px) 62vw, 840px\" \/><\/figure>\n\n\n\n<p>It can be really difficult to appreciate how beautiful <a href=\"http:\/\/en.wikipedia.org\/wiki\/Oswald_Bruce_Cooper\">Oz Cooper<\/a>\u2019s original designs are, since these types have been so watered down, abused, and over-used for so long. If you go back to the source, you see that these are rich, warm, lively letters. Maybe not perfect for every occasion, but big and bold and inviting. It should be no surprise that they were widely used and eventually widely licensed or pirated for a variety of situations and fabrication methods.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"480\" height=\"640\" src=\"https:\/\/ultrasparky.org\/blog\/wp-content\/uploads\/2010\/04\/Families-Welcome.jpg\" alt=\"\" class=\"wp-image-71630\" srcset=\"https:\/\/ultrasparky.org\/blog\/wp-content\/uploads\/2010\/04\/Families-Welcome.jpg 480w, https:\/\/ultrasparky.org\/blog\/wp-content\/uploads\/2010\/04\/Families-Welcome-225x300.jpg 225w\" sizes=\"auto, (max-width: 480px) 85vw, 480px\" \/><\/figure>\n\n\n\n<p>The trouble seems to come from the quality of reproduction in the may ways of adapting the design for signage, iron-on letters, labeling machines, etc. A lot of the subtlety of the outlines get lost in all this translation, and the spacing usually goes to shit, and then suddenly this friendly letter is just saying \u201cFREE MUSTACHE RIDES\u201d on someone\u2019s shirt or advertising a 99\u00a2 sale and all the charm is lost.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"960\" height=\"720\" src=\"https:\/\/ultrasparky.org\/blog\/wp-content\/uploads\/2010\/04\/Confectionary.jpg\" alt=\"\" class=\"wp-image-71631\" srcset=\"https:\/\/ultrasparky.org\/blog\/wp-content\/uploads\/2010\/04\/Confectionary.jpg 960w, https:\/\/ultrasparky.org\/blog\/wp-content\/uploads\/2010\/04\/Confectionary-300x225.jpg 300w, https:\/\/ultrasparky.org\/blog\/wp-content\/uploads\/2010\/04\/Confectionary-768x576.jpg 768w\" sizes=\"auto, (max-width: 709px) 85vw, (max-width: 909px) 67vw, (max-width: 1362px) 62vw, 840px\" \/><\/figure>\n\n\n\n<p>But it&#8217;s still there, just waiting to be used well. As much as I hate flying with <a href=\"http:\/\/www.easyjet.com\">EasyJet<\/a>, for instance, I quite love all that orange and Cooper Black they use. And I still totally have a jones for iron-on Copper Black lettering, especially if it\u2019s flocked.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"600\" src=\"https:\/\/ultrasparky.org\/blog\/wp-content\/uploads\/2010\/04\/142360884_14d8473144_o.jpg\" alt=\"\" class=\"wp-image-71632\" srcset=\"https:\/\/ultrasparky.org\/blog\/wp-content\/uploads\/2010\/04\/142360884_14d8473144_o.jpg 800w, https:\/\/ultrasparky.org\/blog\/wp-content\/uploads\/2010\/04\/142360884_14d8473144_o-300x225.jpg 300w, https:\/\/ultrasparky.org\/blog\/wp-content\/uploads\/2010\/04\/142360884_14d8473144_o-768x576.jpg 768w\" sizes=\"auto, (max-width: 709px) 85vw, (max-width: 909px) 67vw, (max-width: 984px) 61vw, (max-width: 1362px) 45vw, 600px\" \/><\/figure>\n\n\n\n<p>I really should just do an Oz Cooper talk one of these days, I suppose, and just get all this out of my system once and for all.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I\u2019ve been gathering and sorting images for a talk I\u2019m giving tomorrow at Central St Martins on type design, and how looking at \u201cbad\u201d typefaces and awkward signage and eccentric hand-lettering can teach a type designer a lot. The basic premise is that there are good lessons in there, as long as you can stop &hellip; <a href=\"https:\/\/ultrasparky.org\/blog\/2010\/04\/20\/the_land_of_oz\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;The Land of Oz&#8221;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-1877","post","type-post","status-publish","format-standard","hentry","category-ultratypographic"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/ultrasparky.org\/blog\/wp-json\/wp\/v2\/posts\/1877","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ultrasparky.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ultrasparky.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ultrasparky.org\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/ultrasparky.org\/blog\/wp-json\/wp\/v2\/comments?post=1877"}],"version-history":[{"count":2,"href":"https:\/\/ultrasparky.org\/blog\/wp-json\/wp\/v2\/posts\/1877\/revisions"}],"predecessor-version":[{"id":71633,"href":"https:\/\/ultrasparky.org\/blog\/wp-json\/wp\/v2\/posts\/1877\/revisions\/71633"}],"wp:attachment":[{"href":"https:\/\/ultrasparky.org\/blog\/wp-json\/wp\/v2\/media?parent=1877"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ultrasparky.org\/blog\/wp-json\/wp\/v2\/categories?post=1877"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ultrasparky.org\/blog\/wp-json\/wp\/v2\/tags?post=1877"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}