1<\/a>)<\/p>\n\n\n\nKrimpen, Jan van, A letter to Philip Hofer on certain problems connected with the mechanical cutting of punches<\/i>. Boston, David R Godine, 1972<\/p>\n\n\n\n
Krimpen, Jan van, On designing and devising type<\/i>. New York, The Typophiles, & London, Sylvan Press, 1957<\/p>\n\n\n\n
Lawson, Alexander, Anatomy of a typeface<\/i>. London, Hamish Hamilton, 1990 <\/b><\/p>\n\n\n\n
Luna, Paul, Understanding type for desktop publishing<\/i>. London, Blueprint, 1992.<\/p>\n\n\n\n
Mandel, Ladislas, \u201cDeveloping an awareness of typographic letterforms.\u201d Electronic Publishing<\/i>, vol 6, no 1, 1993, pp 3\u201322<\/p>\n\n\n\n
Meier, Hans Eduard, Die Schriftentwicklung\/The development of script and type\/Le d\u00e9veloppement des caract\u00e8res<\/i>. Cham: Switzerland, Syntax Press, 1994<\/p>\n\n\n\n
Morison, Stanley, Type designs of the past and present<\/i>. London, The Fleuron Ltd., 1926<\/p>\n\n\n\n
Morison, Stanley, Typographic design in relation to pantographic composition<\/i>. Book Club of California, 1959<\/p>\n\n\n\n
Mosley, James M, \u201cFrench academicians and modern typography: designing new types in the 1690s.\u201d Typography Papers<\/i>, no 2, 1997, pp 5\u201329<\/p>\n\n\n\n
Mosley, James M, The nymph and the grot: the revival of the sanserif letter<\/i>. London, Friends of the St Bride Printing Library, 1999<\/p>\n\n\n\n
Noordzij, Gerrit, The stroke of the pen<\/i>, The Hague, Koninklijke Akademie, 1982<\/b><\/p>\n\n\n\n
Smeijers, Fred, Counterpunch: making type in the sixteenth century; designing typefaces now<\/i>. London, Hyphen Press, 1996<\/p>\n\n\n\n
Southall, Richard, \u201cA survey of type design techniques before 1978.\u201d Typography Papers<\/i>, no 2, 1997, pp 31\u201359<\/p>\n\n\n\n
Southall, Richard, \u201cCharacter description techniques in type manufacture.\u201d In Rosemary Sassoon (ed) Computers and typography<\/i>. Oxford, Intellect, 1993, pp 85\u2013100 <\/b><\/p>\n\n\n\n
Southall, Richard, \u201cShape and appearance in typeface design.\u201d In J H Miller (ed) Protext III: Proceedings of the Third International Conference on Text Processing Systems<\/i>. Boole, 1986, pp 75\u201386<\/p>\n\n\n\n
Spencer, Herbert, The visible word<\/i>. Lund Humphries, London, 1969<\/p>\n\n\n\n
Spiekermann, Erik, Rhyme & reason: a typographic novel<\/i>. Edited by Paul Stiff. Berlin, H Berthold AG, 1987<\/p>\n\n\n\n
Tracy, Walter, Letters of Credit: a view of type design<\/i>. London, Gordon Fraser, 1986 <\/b><\/p>\n\n\n\n
Wallis, Lawrence W, \u201cTechnology determining aesthetics.\u201d Professional Printer<\/i>, vol 38, no 1, 1994 (?), pp 17\u201318<\/p>\n\n\n\n
Wallis, Lawrence W, A Concise Chronology of Typesetting Developments 1886\u20131986<\/i>. London, The Wynkyn de Worde Society & Lund Humphries, 1988 <\/b><\/p>\n\n\n\n
Zapf, Hermann, \u201cFuture tendencies in type design: the scientific approach to letterforms.\u201d Visible Language<\/i>, vol XIX, no 1, 1985, pp 23\u201333<\/p>\n\n\n\n
Type Design: Case Studies<\/strong><\/p>\n\n\n\nBaines, Phil & Catherine Dixon, \u201cTimes Classic: design analysis.\u201d Eye<\/i>, vol 10, no 40, pp 60\u201361<\/p>\n\n\n\n
Baines, Phil, \u201cFace lift: new cuts at the Times.\u201d Eye<\/i>, vol 10, no 40, pp 52\u201359<\/p>\n\n\n\n
Carter, Matthew, \u201cGalliard: a modern revival of the types of Robert Granjon.\u201d Visible Language<\/i>, vol XIX, no 1, 1985, pp 77\u201397<\/p>\n\n\n\n
Frere-Jones, Tobias, \u201cExperiments in type design.\u201d AIGA Boston Journal<\/i>, no 2, 1997<\/p>\n\n\n\n
Frutiger, Adrian (Collaborators: Nicole Delamarre & Andr\u00e8 G\u00fcrtler), \u201cOCR-B: A standardized character for optical recognition.\u201d Journal of Typographic Research<\/i>, vol I, no 2, 1967, pp 137\u2013146<\/p>\n\n\n\n
Gibbons, Charles, \u201cZealand, reflections on developing a typeface.\u201d Visible Language<\/i>, vol XXXIII, 3, 1999, pp 254\u2013283<\/p>\n\n\n\n
Holmes, Kris, \u201cLucida: the first original typeface designed for laser printers.\u201d Baseline<\/i>, no 6, 1985, pp 12\u201313<\/p>\n\n\n\n
Jammes, Andr\u00e8, \u201cAcad\u00e8misme et typographie: the making of the romain du roi.\u201d Journal of the Printing Historical Society<\/i>, no 1, 1965, pp 71\u201395<\/p>\n\n\n\n
Weidemann, K, \u201cBiblica \u2013 designing a new typeface for the Bible\u201d, Baseline<\/i>, no 6, 1985, pp 7\u201311<\/p>\n\n\n\n
Knuth, Donald The & Hermann Zapf, \u201cAMS Euler \u2013 a new typeface for mathematics.\u201d Scholarly Publishing<\/i>, vol 20, no 3, 1989, pp 131\u2013157<\/p>\n\n\n\n
Mathews, M V, Carol Lochbaum, & Judith A Moss, \u201cThree Fonts of Computer-drawn Letters.\u201d Journal of Typographic Research (Visible Language)<\/i>, vol I, no 1, 1967, pp 345\u2013356<\/p>\n\n\n\n
Meier, Hans Eduard, \u201cOn the design of Barbedor and Syndor.\u201d In Roger D Hersch (ed) Visual and technical aspects of type<\/i>. Cambridge University Press, 1993, pp 148\u201364<\/p>\n\n\n\n
Schulz-Anker, Erich, \u201cSyntax Antiqua, a sans-serif on a new basis.\u201d Gebrauchsgraphik<\/i>, August 1970, pp 49\u201356<\/p>\n\n\n\n
Stauffacher, Jack, \u201cThe Transylvanian Phoenix: the Kis-Janson types in the digital era.\u201d Visible Language<\/i>, vol XIX, no 1, 1985, pp 61\u201376<\/p>\n\n\n\n
Stone, Sumner, \u201cHans Eduard Meier\u2019s Syntax-Antiqua.\u201d In Charles Bigelow; Paul Hayden Duensing & Linnea Gentry (eds) Fine Print On Type<\/i>. London, Lund Humphries, 1989, pp 22\u201325 <\/b><\/p>\n\n\n\n
Stone, Sumner, \u201cThe Stone family of typefaces: new voices for the electronic age.\u201d In Charles Bigelow; Paul Hayden Duensing & Linnea Gentry (eds) Fine Print On Type<\/i>. Lund Humphries, London 1989, pp 136\u2013139 <\/b><\/p>\n\n\n\n
Unger, Gerard, \u201cA type design for Rome and the year 2000.\u201d Typography Papers<\/i>, no 3, 1998, pp 61\u201373<\/p>\n\n\n\n
Unger, Gerard, \u201cExperimental No 223, a newspaper typeface, designed by W A Dwiggins.\u201d Quaerendo<\/i>, vol XI, no 4, 1981, pp 302\u2013324<\/p>\n\n\n\n
Unger, Gerard, \u201cThe design of a typeface.\u201d Visible Language<\/i>, vol XIII, no 2, 1979, pp 134\u2013149<\/p>\n\n\n\n
Zapf, Hermann & Jack Werner Stauffacher, Hunt Roman: the birth of a type<\/i>. Pittsburgh: PA, The Pittsburgh Bibliophiles, 1965<\/p>\n\n\n\n
Typeforms: Description<\/strong><\/p>\n\n\n\nAtkins, Gordon, The classification of printing types<\/i>. Oadby: Leicester, Apple Barrell Press, 1975<\/p>\n\n\n\n
Bastien, Alfred, The 1953 classification of type design<\/i>. West Drayton, Bastien Brothers Ltd, 1958<\/p>\n\n\n\n
Bauermeister, Benjamin, A manual of comparative typography: the PANOSE system<\/i>. New York, Van Nostrand Reinhold, 1988<\/p>\n\n\n\n
Boggan, Scott & Michael de Laurentis, \u201cThe Panose typeface-matching system: a system for matching static or distortable fonts.\u201d BYTE<\/i>, May 1994, pp 187\u2013192<\/p>\n\n\n\n
Dixon, Catherine, \u201cWhy we need to reclassify type.\u201d Eye<\/i>, vol 5, no 19, 1995, pp 85\u20136<\/p>\n\n\n\n
Gaskell, Philip, \u201cA nomenclature for the letterforms of roman type.\u201d Visible Language<\/i>, vol XX, no 1, 1976, pp 42\u201351<\/p>\n\n\n\n
Ghosh, Pijush K & Charles A Bigelow, A formal approach to lettershape description for type design: Report STAN\u2013CS\u201383\u2013966<\/i>. Stanford: CA, Department of Computer Science, Stanford University, 1983<\/p>\n\n\n\n
Hoefler, Jonathan, \u201cOn classifying type.\u201d Emigre<\/i>, no 42, 1998, pp 55\u201370<\/b><\/p>\n\n\n\n
King, Emily, \u201cCompare and contrast.\u201d Eye<\/i>, vol 7, no 25, 1997, pp 36\u201339<\/p>\n\n\n\n
Morison, Stanley, \u201cOn the classification of typographical variations.\u201d In Stanley Morison, Letter forms: typographic and scriptorial. Two essays on their classification, history and bibliography<\/i>. London, Nattali & Maurice, 1968, pp 1\u2013132<\/p>\n\n\n\n
Mosley, James M, \u201cNew approaches to the classification of typefaces.\u201d British Printer<\/i>, no 3, 1960, pp 90\u20136<\/p>\n\n\n\n
Mountford, John, \u201cA functional classification.\u201d In Peter T Daniels & William Bright, The world\u2019s writing systems<\/i>. Oxford University Press, 1996, pp 627\u2013632<\/p>\n\n\n\n
Noordzij, Gerrit, \u201cA program for teaching letterforms.\u201d In Ferdinand Baudin & John Dreyfus (eds), Dossier A\u2013Z: ATypI 1973<\/i>. Andenne, R\u00e8my Magermans, 1973<\/p>\n\n\n\n
Noordzij, Gerrit, \u201cBroken scripts and the classification of typefaces.\u201d Journal of Typographic Research<\/i>, vol VI, no 3, 1970, pp 213\u2013240<\/p>\n\n\n\n
Noordzij, Gerrit, \u201cTypeface classification.\u201d In: Bernd Holthusen & Albert Jan Pool, Scangraphic digital type collection: Edition 4<\/i>. Mannesmann Scangraphic, 1990, pp 65\u201381<\/p>\n\n\n\n
Southall, Richard, \u201cA new index of typefaces.\u201d Penrose Annual<\/i>, no 74, 1982, pp 255\u20138<\/p>\n\n\n\n
Thorp, Joseph, \u201cExperimental application of a nomenclature for letter forms I.\u201d Monotype Recorder<\/i>, vol XXXI, no 246, 7\u20138.1932, pp 3\u20136<\/p>\n\n\n\n
Thorp, Joseph, \u201cExperimental application of a nomenclature for letter forms II.\u201d Monotype Recorder<\/i>, vol XXXII, no 294\/new series no 1, 1933, pp 15\u201320<\/p>\n\n\n\n
Thorp, Joseph, \u201cTowards a nomenclature for letter forms.\u201d Monotype Recorder<\/i>, vol XXX, no 240, 4\u20135.1931, pp 7\u201319<\/p>\n\n\n\n
Tracy, Walter, \u201cType design classification.\u201d Visible Language<\/i>, vol V, no 1, 1971, pp 59\u201366<\/p>\n\n\n\n
Wilkinson, Timothy, \u201cA practical approach to typeface classification.\u201d British Printer<\/i>, November 1965, pp 86\u201389<\/p>\n\n\n\n
Description II<\/strong><\/p>\n\n\n\nKnuth, Donald E, METAFONT: A system for alphabet design: Report STAN\u2013CS\u201379\u2013762<\/i>. Stanford: CA, Department of Computer Science, Stanford University, 1979<\/p>\n\n\n\n
Knuth, Donald E, \u201cThe concept of a Meta-Font.\u201d Visible Language<\/i>, vol XVI, no 1, 1982, pp 3\u201327<\/p>\n\n\n\n
Hofstadter, Douglas R, \u201cMetafont, metamathematics, and metaphysics.\u201d Visible Language<\/i>, vol XVI, no 4, 1982, pp 309\u2013338<\/p>\n\n\n\n
[various] \u201cOther replies to Donald Knuth’s article, \u2018The
concept of a MetaFont.\u2019\u201d Visible Language<\/i>, vol XVI, no 4, pp 339\u2013359<\/p>\n\n\n\n
Sampson, Geoffrey, \u201cIs Roman type an open-ended system? A response to Douglas Hofstadter.\u201d Visible Language<\/i>, vol XVII, no 4, 1983, pp 410\u2013412<\/p>\n\n\n\n
Hofstadter, Douglas, \u201cA reply from Douglas Hostadter.\u201d Visible Language<\/i>, vol XVII, no 4, 1983, pp 413\u2013416<\/p>\n\n\n\n
Knuth, Donald E, \u201cLessons learned from Metafont.\u201d Visible Language<\/i>, vol XIX, no 1, 1985, pp 35\u201353<\/p>\n\n\n\n
Knuth, Donald E, Digital typography<\/i>. Stanford: CSLI Publications, 1999 <\/b><\/p>\n\n\n\n
Leonidas, Gerry, \u201cIn search of the digital Cresci: Don Knuth\u2019s Digital typography.\u201d Information Design Journal<\/i>, vol 9. no 2&3, pp 111\u2013118<\/p>\n\n\n\n
Type Design: Digital<\/strong><\/p>\n\n\n\n[Anonymous] Ikarus. Baseline<\/i>, no 3, 1981, pp 6\u201311<\/p>\n\n\n\n
[Brady, Fred, Robert Slimbach, Gail Blumberg, et al<\/i>] [Adobe type specimen booklets<\/i>] Mountain View: CA, Adobe Systems Inc., 198x\u2013199x<\/p>\n\n\n\n
Adobe Systems Inc, Adobe Type 1 Font Format<\/i>. Addison-Wesley Publishing Company, Inc., Reading: MA, 1990<\/p>\n\n\n\n
Andr\u00e8, Jacques & Roger D Hersch (eds), Raster Imaging and Digital Typography<\/i>. Cambridge University Press, Cambridge, 1989<\/p>\n\n\n\n
Bigelow, Charles & Donald Day, \u201cDigital typography.\u201d Scientific American<\/i>, August 1983, pp 94\u2013105<\/p>\n\n\n\n
Bigelow, Charles & Jonathan Seybold, \u201cTechnology and the
aesthetics of type: maintaining the \u2018tradition\u2019 in the age of electronics.\u201d The
Seybold Report<\/i>, vol 10, no 24, 1981, pp 3\u201316<\/p>\n\n\n\n
Bigelow, Charles & Kris Holmes, \u201cThe design of a Unicode font.\u201d Electronic Publishing<\/i>, vol 6, no 3, September 1993, pp 289\u2013305<\/p>\n\n\n\n
Bigelow, Charles, \u201cFont design for personal workstations.\u201d BYTE<\/i>, January 1985, pp 255\u2013270<\/p>\n\n\n\n
Bigelow, Charles, \u201cThe principles of digital type: quality type for low, medium and high resolution printers.\u201d The Seybold Report on Publishing Systems<\/i>, vol 11, no 11, 8 February 1982, pp 11-3\u201311-23<\/p>\n\n\n\n
Boag, Andrew & David Saunders (eds.), Classic revivals: the Monotype Conference Exhibition 1992 & Back to basics: Stanley Morison and old face<\/i>. Redhill: Surrey, Monotype Typography Ltd., 1992<\/p>\n\n\n\n
Boggan, Scott & Michael de Laurentis, \u201cThe Panose typeface-matching system: a system for matching static or distortable fonts.\u201d BYTE<\/i>, May 1994, pp 187\u2013192<\/p>\n\n\n\n
Daines, Mike, \u201cSome aspects of the effects of technology on type design.\u201d In Rosemary Sassoon (ed) Computers and typography<\/i>. Oxford, Intellect, 1993, pp 76\u201384 <\/b><\/p>\n\n\n\n
Dawson, Martin, \u201cCan classic, remastered fonts retain the spirit of the \u2018authentic\u2019 original?\u201d Eye<\/i>, vol 11, no 41, 52\u201357<\/p>\n\n\n\n
Day, Donald, \u201cDonald Knuth\u2019s TEX & METAFONT: New Directions in Typesetting.\u201d In Charles Bigelow; Paul Hayden Duensing & Linnea Gentry (eds) Fine Print On Type<\/i>. London, Lund Humphries, 1989, pp 35\u201336 <\/b><\/p>\n\n\n\n
Dreyfus, John & Ren\u00e8 Murat (eds.), Typographic opportunities in the computer age: papers of the 11th Congress of the Association Typographique Internationale<\/i>. Prague, June 1969. Typografia Prague, 1970, pp 52\u201355<\/p>\n\n\n\n
Flowers, Jim, \u201cDigital type manufacture: an interactive approach.\u201d IEEE Computer<\/i>, May 1984, pp 40\u201348<\/p>\n\n\n\n
Hersch Roger D (ed), Visual and technical aspects of type<\/i>. Cambridge, Cambridge University Press, 1993<\/p>\n\n\n\n
Hersch, Roger D et al<\/i> (eds), Electronic publishing, artistic imaging, and digital typography<\/i>. Berlin, Springer, 1998<\/p>\n\n\n\n
Karow, Peter, Digital formats for typefaces<\/i>. Hamburg, URW Verlag, 1987<\/p>\n\n\n\n
King, Emily, \u201cDigital type decade.\u201d Eye<\/i>, vol 10, no 40, pp 40\u201347<\/p>\n\n\n\n
Kinross, Robin, \u201cThe digital wave.\u201d Eye<\/i>, vol 2, no 7, 1992, pp 26\u201339<\/p>\n\n\n\n
Lofting, Peter, \u201cManaging Complexity in Font Design.\u201d Didot: First European Summer School in Digital Typography<\/i>, Lausanne, 1991<\/p>\n\n\n\n
Lommen, Mathieu & Peter Verheul (eds), Haagse letters<\/i>. Den Haag, Uitverij de Buitenkant, 1996<\/p>\n\n\n\n
Maag, Bruno, \u201cDon\u2019t \u2018U\u2019 turn \u2014 New problems demand better
solutions.\u201d Baseline<\/i>, no 21, 1996, pp 17\u201320<\/p>\n\n\n\n
McQueen, Clyde D III & Raymond G Beausoleil, \u201cInfinifont: a parametric font generation system.\u201d Electronic Publishing \u2014 Origination, Dissemination and Design<\/i>, vol 6, no 3, 1993, pp 117\u2013132<\/p>\n\n\n\n
Miller, J Abbott, Dimensional typography: case studies on the shape of letters in virtual environments<\/i>. Kiosk: Princeton Architectural Press, 1996 <\/b><\/p>\n\n\n\n
Porchez, Jean-Fran\u00e7ois & Philippe Millot, Lettres Fran\u00e7aises: sp\u00e8cimen de caract\u00e9res fran\u00e7ais<\/i>. Paris, Association Typographique Internationale\/association pour la diffusion de la pens\u00e8e fran\u00e7aise, 1997<\/p>\n\n\n\n
Seybold, John W The world of digital typesetting. Seybold Publications<\/i>, Inc., 1984<\/p>\n\n\n\n
Unicode Consortium, The Unicode standard: version 3.0<\/i>. Reading: Mass., Addison-Wesley, 2000<\/p>\n\n\n\n
Wallis, Lawrence W, Electronic typesetting: a quarter century of technological upheaval<\/i>. Gateshead: Tyne & Wear, The Paradigm Press, 1984<\/p>\n\n\n\n
Yefimov, Vladimir & Maxim Zhukov, Kyrillitsa ’99: international type design competition<\/i>. Moscow, 1999<\/p>\n\n\n\n
Zapf, Hermann \u201cThe designer in the world of Metafont.\u201d In Hermann Zapf, Hermann Zapf & His Design Philosophy<\/i>. Chicago, Society of Typographic Arts, 1987, pp 93\u20138<\/p>\n\n\n\n
Zapf, Hermann, \u201cThe changes in letterforms due to technical developments\u201d. Journal of Typographic Research<\/i>, vol II, no 4, 1968, pp 351\u2013368<\/p>\n","protected":false},"excerpt":{"rendered":"
Entries in bold are items I own. I\u2019ll link to any comments about each as I work my way through the list…<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-1512","post","type-post","status-publish","format-standard","hentry","category-ultratypographic"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/ultrasparky.org\/blog\/wp-json\/wp\/v2\/posts\/1512","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ultrasparky.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ultrasparky.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ultrasparky.org\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/ultrasparky.org\/blog\/wp-json\/wp\/v2\/comments?post=1512"}],"version-history":[{"count":2,"href":"https:\/\/ultrasparky.org\/blog\/wp-json\/wp\/v2\/posts\/1512\/revisions"}],"predecessor-version":[{"id":71887,"href":"https:\/\/ultrasparky.org\/blog\/wp-json\/wp\/v2\/posts\/1512\/revisions\/71887"}],"wp:attachment":[{"href":"https:\/\/ultrasparky.org\/blog\/wp-json\/wp\/v2\/media?parent=1512"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ultrasparky.org\/blog\/wp-json\/wp\/v2\/categories?post=1512"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ultrasparky.org\/blog\/wp-json\/wp\/v2\/tags?post=1512"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}