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July 2010

From the scrapbook

duskflare:

sistervenom:

It's a valid question.

From the scrapbook

wundagore:

so true

The many faces of Sparky

My career seems to be at the point where I rarely need to tailor or tinker with my CV (or résumé in the American parlance), but I need to rewrite short bios over and over again. that’s a good sign, right?

It basically means I don't have to look for work all that much, since it tends to find me through more casual channels like momentum, word-of-mouth, networking, yadda yadda. (It's the actual money that’s hard to pin down, tragically. The work keeps piling up.) The trick is that now I only get a couple of sentences to sum up everything as well as highlight the relevant details for the task at hand, rather than letting a amore complete picture come together from the full details.

For instance, here's one for my current job:

Daniel Rhatigan, a 2006 recipient of a Monotype Imaging Ltd. scholarship, is working at Monotype Imaging Ltd. as part of the UK's Knowledge Transfer Partnership. KTP is a country-wide program that allows graduate students to partner with industries to help improve business productivity and competitiveness. Rhatigan is working at Monotype Imaging's Salford's design office under the direction of senior designer, Robin Nicholas. Rhatigan is chartered with applying his academic experience to a commercial project, while Monotype Imaging intends to benefit through Rhatigan's development of intellectual property.

But here's my bio for the teaching gig in the Netherlands I’ve had for the last couple of years:

Dan Rhatigan is a graphic designer from New York City, now living and working in London. He has worked as a designer and consultant for arts organizations for over 15 years, and has taught and lectured at the City College of New York, Central St Martins, and the University of Reading.

Dan Rhatigan, grafisch ontwerper uit New York City en woont en werkt op dit moment in Londen. Meer dan 15 jaar werkt hij als grafisch ontwerper en adviseur voor organisaties in de kunst- en grafische branche. Verder heeft hij les en lezingen gegeven aan het City College in New York, Central St. Martins en geeft nu regelmatig les aan de Universiteit van Reading in England.

But I do freelance work, too, now and then!:

Daniel Rhatigan worked as a designer and typographer in Boston and New York for 15 years before coming to study typeface design at the University of Reading. He also lectures on typography and branding in the Netherlands and here in the UK. You can look at some of his previous design work at ultrasparky.org.

And then there's the occasional bit of writing:

Dan Rhatigan is a typeface designer, graphic designer, teacher, and long-time blogger at ultrasparky.org. He received an MA with distinction in Typeface Design from the University of Reading in 2007, and he's now working with the Typography Department to research and design non-Latin typefaces for Monotype Imaging.

Once in a while, too, the emphasis shifts to my little side project:

Daniel Rhatigan is a typographer and typeface designer, originally from New York City but now based in London. When not teaching or working on a vast family of Indic typefaces, he publishes a zine called Pink Mince -- "for the confirmed bachelor of exceptional taste".

From the scrapbook

l6be39vLgK1qzzm18

gerryleonidas:

Unsolicited attempt by younger son to gain extra time on the iPad. Angry Birds has taken the males in the household by storm (read: I’m halfway through, the boys have finished all the levels) 

From the scrapbook

(via fluffydaze)

From the scrapbook

loverofbeauty:

the sound

Colliding obsessions

Supermen of America

My squeal-inducing find of the day was the blog of Todd Klein, who has been working for ages as a letterer for comic books, and producing outstanding work. It's a bit inaccurate to say that his site is just a blog: he's mostly using the blog format to pull together a vast body of writing about comics and letters, peppered here and there with other things that catch his fancy.

Girls Love The Adventures of Superman

The blog -- and in fact his entire site -- is packed with gorgeous images (the images of original paste-up art, like the ones shown above, get me especially giddy), and a lot of insightful commentary and analysis. This entry alone, which gathers links to all the posts specifically about the logo designs for a wide variety of comic titles, is the gateway to enough research material to start a research degree on the subject. Todd Klein, I salute you, sir!

Fantastic Four #16

From the scrapbook

comicallyvintage:

You have been told...good night.

Rumble Fish

(via queerwolf)

MUTIE!

scooterlaforge:

via www.comic-images.com

From the scrapbook

dyfl:

July 6th, 2010: the day Wolverine died (in “Days Of Future Past,” natch).

Wise words on film

This sums up my gut reaction about a lot of movies I’ve seen — particularly of the rom-com and slice-of-gay-life genres — but manages to put the feeling into words far better than I’ve ever done:

As I find myself watching fewer and fewer movies, I’m becoming convinced that filmmakers should approach each movie like it's a scientific publication. 'What am I adding to the literature', they should ask.

— from Rotten in Denmark

Root canal!

So much fun, right? Who doesn't love a nice root canal now and then? Well, maybe it;s not the most pleasant way to pass the time, but it sure beats the hell out of an infected broken tooth that flares up into incredible pain whenever you get on an airplane. Which I tend to do a lot. (Aside: It's a good thing I don't have kids or a car and that I recycle diligently, because all the flying I do eats up all my carbon offset points.)

Having a root canal was a lot more pleasant with Teen Dentist back at the NYU Dental School than it is with the NHS. There, you get discounted versions of thorough, cutting-edge dental treatment performed by eager, cute (and thankfully smart and capable) youngsters. Here, my dentist sees me for 20 minutes and explains exactly what corners are cut if you pay NHS fees instead of the exorbitant private-practice fees, and then leave you to ponder how much you;re willing to pay for your vanity. It's grim.

(And since I am employed but poor, I’m in that uncomfortable middle-range where I still have to pay but can only afford ghetto treatment. Be sure to ignore my silver molar next time you see me, or I'll cry.)

From the scrapbook

sugaronastick:

(via ialmostlaugh, zuhzoey)

win.

(via wrapyourlovingarmsaroundme)

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