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Perfection

The perfect simile to explain a thorny issue about type history to people who are familiar with fonts as things they pick from a list:

...there can never be a definitive Bodoni, Garamond, Jenson, or Fleischmann typeface, as their oeuvres consist of a multitude of single, size-specific fonts. It is like mashing up Othello, King Lear, Hamlet and a touch of The Tempest and publishing it as ‘The Shakespeare’.

Kris Sowersby, posting at I Love Typography

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