A little Twitter:
SO not fair
I seem to be getting spider-bites here and there, but yet not a single sign of any super powers! Not even something comically useless or ironic! How fair is that? Maybe I need to flood my little apartment with experimental radiation just in case. Just pass me the calamine lotion while I sulk.
The Justified Ancients of Muʻumuʻu
Decide for yourself whether or not you can handle the hair and the muʻumuʻus, but it's hard to deny how perfectly magnificent the singing is in this old clip of Aretha Franklin, Roberta Flack, Sarah Vaughan, and Peggy Lee doing a little jazzy blues quartet in a 1973 tribute to Duke Ellington:
House in the house
I'm a big fan of House Industries, not just as designers and fellow pop-culture enthusiasts, but also as a bunch of really good-natured, fun, talented guys. It pains me regularly that they release all these zesty, beautifully crafted typefaces that I rarely get a chance to use. Luckily, they also make the best schwag in the business, effectively building something of a lifestyle brand based around their typefaces. This Fast Company article about them is a nice little profile, in case you don't know much about who they are. (And shame on you if you don't.)
A font walks into a bar
Believe it or not, corny jokes about typefaces are the kind of thing that are usually too geeky even for me. Nevertheless, I feel like I ought to just post something about this now before every other person in the universe starts sending me links to it, like they did with the font conference video. (I appreciate the thought, by the way. Don't get me wrong.) So here you go: Typographunnies. [Thanks, Brad.]
Papa, can you hear me?
I'm sick as all get-out this week, with some sort of chesty, fever- thing going on. Hopefully, though, Thursday night's audience with the Pope of Trash will be the miracle cure for my ailment.
These go to 11
Rejoice! The MA Type Design program at Reading has just unleashed a new batch of gorgeous, freshly minted typefaces! Behold!
I've had a real blast getting to know these guys during the past year, but since I wasn't actually there in the studio with them all year I only had the barest notion of where everyone was going with their designs, and then I had already moved to London by the time everyone began the final frenzy of completing their fonts. It's so exciting to see what great types they finally produced. Congratulations, gang!
Kids those days
From the foreshortened perspective of the 21st century, this extraordinary clip just reads as a bunch of old or dead people doing stuff a long time ago that sure looks goofy now:
But yet if we pick it apart, we can see that it was even ridiculous back then. Like a lot of stuff that made its way onto variety TV, this blends enough weird stuff together in a way that would make anyone cool just want to scratch their skin off. It's kind of like watching Celine Dion do a Britney Spears dance to gangsta rap, if you want to put it in a modern context.
Some notes:
Yes, that's Tommy Tune and the dancers from Seesaw dressed as hippies...
...dancing the popcorn...
...to express their admiration of Carol Channing...
...who eventually is whisked away on a motorcycle by Dean Martin dressed as a greaser...
...to a song form Mame that was originally about a fun-loving older lady loving the Jitterbug and the Lindy Hop.
All those elements are pretty great in their own ways, but really almost none of them should ever go together. It's a clear sign that just about every cultural influence noted above had lost its edge or relevance by the time they all got thrown together for the benefit of viewers of network TV.
Of course, I also think it's kind of amazing, but maybe that's just me. My pop culture interests cross encompass all the stuff they're throwing together, and I'm a huge homo with a penchant for dated camp and no patience for ironic detachment.
Typography for Lawyers
Once you start thinking about typography, you begin to realize that it affects everyone to some degree or another: it's not just the preoccupation of the font nerds in your life. (Just ask any of the many people I've turned to the Dark Side over the years. Once you start thinking about kerning there's no return.) Typography is an integral part of communicating, and people often need to communicate. It's nice, then, when people who get it take the time to explain its relevance in their own field. Case in point: Typography for Lawyers, written by lawyer and former type designer Matthew Butterick.
The few comments on the site so far are hilariously detail-oriented and pedantic, which you might expect from a project aimed at lawyers and typographers.
Edwardian masher
While I'm on this Joe Orton kick, here's another great bit from the diaries:
Saturday 15 April
Watched Doctor WHo on television. Rubbish, but there's a young boy in it who's worth looking at; like an Edwardian masher at a Gaiety show, I mentally undress him. I'm sure the BBC would horrified if they realised that even a science fiction series can be used erotically.
Judging from the date, I'm assuming that the episode in question was part of "The Faceless Ones", and that the alluring lad in question was probably young sailor Ben Jackson, played by Michael Craze.
"Edwardian masher at a Gaiety show" is my new favorite phrase, by the way. And though Orton is a good enough writer for that quip to feel very off the cuff, it's actually the one instance in his diaries where I spotted him re-using an earlier joke. On the 24th of January, 1967, Orton paid a visit to meet Paul McCartney and Brian Epstein to talk about writing a script for the next Beatles movie. During the course of the evening, a pop group called the Easybeats drop by, about whom he says:
...about five very young and pretty boys trooped in. I rather hoped this was the evening's entertainments. It wasn't, though. ...After a while we went downstairs,. The Easybeats still there. The girl went away. I talked to the leading Easybeat. Feeling slightly like an Edwardian masher with a Gaiety Girl.
Singin' for your supper
Bette Davis pulled a neat trick when she took on the title role of Whatever Happened to Baby Jane?, managing to revive (and in some sense, reinvent) her career at an age when most leading ladies were left with no place in Hollywood. I knew that she worked hard to get the role, and worked hard to get it right (that kind of scenery-chewing doesn't come easy), but I had no idea she went to such great lengths to promote the movie:
Poor dear. The spectacle of her performance in the movie was intentional, and quite briliant. This just makes me wince. You can almost see her gritting her teeth and thinking, "focus on the paycheck, focus on the paycheck".
[Thanks to Café Muscato for digging up this gem.]